australian tour

The Hard-Ons kicked off their “I'm Sorry Sir, That Riff's Been Taken Tour” - their first tour with new singer Tim Rogers- with three sold out shows on the weekend, only to hit a hurdle yesterday. 

The group issued a statement this morning:"

We regret to advise that the band has unfortunately been struck with Covid, with one of us testing positive earlier today, so under current Public Health Orders they're required to self-isolate. As a result, we’ve had to reschedule this week’s shows. These performances will however proceed on the following dates. Existing ticket holders do not need to do anything as tickets will automatically apply for the new date. 

The re-scheduled New South Wales dates are:

Wed June 1 - Wollongong, La La La's - tickets here
Thu June 2 - Sydney, Factory Theatre (for Great Southern Nights) (with guests Flowers For Jayne) - tickets here
Fri June 3 - Newcastle, Cambridge Hotel - tickets here
Sat June 4 - Avalon, Avalon RSL (with guests Raising Ravens) - tickets here

Shows in Canberra, Adelaide, Geelong and Melbourne will proceed as scheduled. 

_{Dave Studdert.}

When drawn to writing about Tactics, their new album and their forthcoming Australian tour, I had a youthful flashback to being a 17-year-old and moving down to Sydney from the bush. Armed with smudgy-ink copies of RAM magazine, I was aware of so many bands that I knew mostly in name only: Midnight Oil, Hitmen, The Saints…and some weird shit (at least in my mind) like The Tactics, Thought Criminals and Dead Travel Fast. I was like a sponge and I wanted to see every one of them.

I had a hunger for a tapestry of sounds and new, sharp sonic edges - stuff that was so far from the bland radio fodder like Cold Chisel and Dragon. I left a live music scene centred on a dilapidated pub by a river that often flooded…a place with peeling paint and populated by old tradies with battered faces, professional alcoholics and underage kids. We watched the odd cover band and the place was home to weekend rock-stars playing poorly -delivered Chuck Berry riffs. The alternative was the local blue light disco that usually ended in a bloodbath by the end of the night.

So, I moved. I headed to Sydney.

Jello-less since 2001, the Dead Kennedys are bringing their brand of seminal punk back to Australian audiences, 25 years since they first hit our shores and th first time since 2014. 

The band - these days that's East Bay Ray, D.H. Peligro, Klaus Flouride and singer Skip McSkipster - is doing a quick hit-and-run of four shows in a week.  

The Dead Kennedys had a huge impact in Australia in the 1980s. Their albums - “Fresh Fruit for Rotting Vegetables”, “In God We Trust, Inc”, “Plastic Surgery Disasters”, “Frankenchrist”  and “Bedtime for Democracy” – sold by the thousand at a time when punk had yet to break into the mainstream, and kept selling big numbers for decades.

Expat Aussie fuzz 'n' beats rocker Dez Dare is returning home from the UK for shows to celebrate the release of his fourth album, "A Billion Goats. A Billion Sparks. Fin."

The media release is worth reproducing verbatim:

On past records Dare has fought beasts and beats alike, waging a fuzz war and tackling the biggest topics the world has to face; Doom scrolling, capitalist demagogues, a passionate dislike of the beach in summer. On this record he leaves the sardonic frustration behind for sarcastic existentialism, zeroing in on the big philosophical questions, and the pedantic shards of nonsense that make up our existence.

Piling up the synths, noise boxes and guitar pedals, Dez set about building a soundscape of noise and ideas around the nature of reality, time, and how we interact with them. From the music you would play in your last moments, to the reverse Darwinism of modern society, to arguing with time itself, and very boring people talking at you, all is covered here for the aspiring existentialist. 

Dez Dare is self-produced Darren Smallman (ex-Low Transit Industries, Warped, The Sound Platform)and he's three decades producing music, releasing and touring bands, and doing live sound. A product of the coastal Victorian city of Geelong,  he was introduced to the DIY punk and rock scene at 15.

_{John 'Gaoler' Sterry. Rick de Pizzol photo.}

Gang of Four
God God Dammit Dammit
Lion Arts Centre, Adelaide
November 5, 2019

Gang of Four are touring Australia and New Zealand and played Adelaide earlier this week. They were fucking brilliant. Exciting. Brutal. Gigantic. Fun, too. But... pointed and magnificent.

It's a no-brainer. Go see them while you can.

Right, well. A little context. When I was asking a few friends if they were going, one said, 'they sound like every other band'... well, no they don't. See, the thing is, over the last 40 years a lot of other
bands have picked up on their style, which is now familiar.

The Beastsare back. The band whose core membership is drawn from surviving members of The Beasts of Bourbonis undertaking an Australian tour...and have revealed that it’s under doctor’s orders. 

The long-awaited “The Church of Simultaneous Existence” album from Ed Kuepper and his Aints! Is almost upon us, with a September 21 release date announced for CD, LP and digital formats. The album will be accompanied by an Australian tour taking in Queensland, NSW, Victoria and WA over October-November, culminating in a show at the Meredith Music Festival on December 7.

This version of the Aints! differs from previous ones in its focus on not only revisiting the material of the original Saints but mining a well of woodshedded songs intended for what would have been that band’s fourth LP.

_{Barney "Boogie" Williams on keys and Danny Hadley on guitar and vocals.}

The Animals and Friends
The Gov, Adelaide
May 28 2024

Expectations are a bugger of a thing.

We don't know we have them until we find ourselves hung-up by our own preconceived ideas.

Take Chain. The blues band. They're gritty, muscular, and utterly themselves. 

Yes, I've been watching a few recent live things on YouTube, prompted by a Melbourne chum who went to see them a week or so ago. He was blown away.

Six years after his last visit to Australia, former Radio Birdman guitarist Chris “Klondike” Masuak is returning with his hand-picked local band, Dog Soldier, for a select run of East Coast shows.

Masuak and Dog Soldier will play a three week tour with shows in New South Wales, Victoria, Queensland and the ACT.

Masuak’s musical history reads like a muscle car ride through the mean streets of Australia’s rock and roll underground.

The Canadian-born prodigy achieved notoriety as teenage guitarist for Australia’s legendary Radio Birdman, and then waged a War Against The Jive with the country’s hardest working rock and roll band, The Hitmen.

Next came a stint with the original live version of the New Christs, followed by international prominence with the chart-busting Screaming Tribesmen.

A member of the ARIA Rock and Roll Hall of Fame, Masuak has an impressive back catalogue of rock, pop and blues releases under his own name and fronting the Viveiro Wave Riders. He is now based in Galicia in northern Spain.

Dog Soldier comprises bassist Tony Bambach (Aberration, Green Spiders, ex-Lime Spiders) and drummer Stu Wilson (Aberration, Leadfinger, ex-The Rivers, ex-New Christs,ex-Lime Spiders).

Their tour will re-trace Klondike’s storied career, drawing on material from his key bands - with a few surprises thrown in.  

I-94 Bar Records & Promotions presents
Chris Masuak & Dog Soldier 2023 Australian Tour
MAY
19 - House of Music & Booze, St Peters, NSW + Starcrazy + The Dark Clouds + PocketwatchTickets
21 - Link and Pin, Woy Woy + The Silver Dragons (1.30pm)Tickets
26 - Northcote Social Club + River of Snakes + Electric PurrsTickets
27 - Barwon Club Hotel, Geelong + Baby 8 + Sacramento SweatersTickets
28 - Smiths Alternative, Canberra + Il Bruto (7pm)Tickets
JUN
2 -Stag and Hunter, Newcastle + Joeys Coop + East Coast LowTickets
3 - Federal Hotel, Bellingen + Nikki Websters
4 - Vinnies, Gold Coast + The Square Tugs + Mick Medew & UrsulaTickets

The great Alejandro Escovedo (The Nuns, solo) is coming to Australia and New Zealsnd in March and two more Aussie shows have been announced. He’s doing extra gigs at Brisbane’s Junk Bar (early and late shows) and the Camelot Lounge in Sydney. What’s more, he’ll be accompanied on guitar by Tim Rogers of You Am I.

Escovedo's new album "The Crossing" features goes spots by James Williamson (Iggy and the Stooges) and Cheetah Chrome (Dead Boys.) His Australasian tour is stripped-down but the clip below gives you an idea of the power of the man's music. Full dates and ticketing information in the Read More link.

Cheap Trick
+ The Angels
The Palais, St Kilda, VIC
Wednesday, 13 March 2024 

Hello I-94 Barflies! I hope you are all in fine form. Myself, I’m still recovering from seeing the amazing Cheap Trick at The Palais Theatre in St Kilda and they did not disappoint.

Dragging myself out of bed at 430am for a 1000 kilometre public transport round trip is never pleasant and as the years creep by, travelling does get more fiscally challenging. But family and live rock ‘n’ roll is what gets me off the land and out of The Farmhouse. First, let me say this if you’re ever in Melbourne The Pint On The Punt in Richmond is a nice place to start your drinking, get a feed and sleep on a lumpy mattress. It’s also within walking distance of the now boring suburb of St Kilda. 

 _{Ash Naylor, Dave Shaw. Dom Mariani and Julian Matthews are The Stems in 2024. Craig MacLean photo @shot.by.mac.}

It’s called anticipation. You’re in a band. You’ve re-convened after a very long lay-off. The line-up’s now well-rehearsed, fed and watered, and it’s the lull before the storm that will be the first day of your 40th anniveresary tour. 

Rock and roll is more waiting than playing. Dom Mariani knows it well. He’s on the line from a hotel in Melbourne where The Stems are poised to undertake their first Australian tour this week in five years (thanks COVID) before taking off on a sweep through Spain and Italy.

Oh no. There’s a brief coughing fit. It's from Dom’s end. 

“You all right?”

They call themselves “Australia’s foremost proponents of Post Adult Complaint Rock” and they’re touring their new album with an extensive run of national dates.

Sydney’s Front End Loader have been a constant on the Australian music scene since 1991 and “Neutral Evil” is their seventh album. It’s described by by the band as “terrible music by terrible people about terrible things” and if it’s half as entertaining as the blurb promoting their tour, it’ll be a winner:

_{That's Gentle Ben on stage at Binic last month or The Bubble Boy from Seinfeld. You be the judge. Photo by @dujouraulendemain}

It’s a line in the media release that we just have to use: “Like the one-night stand you hoped to never see again, Gentle Ben & His Shimmering Hands are back to ruin your life, break your heart and make your loins quiver”.

The Brisbane “haute couture swamp rockers” (their words again, not ours)  left France a few days ago in a smouldering, postcoital ruin, after smashing out 13 shows over 15 days, playing at a former tobacco factory under a big-top, in a 14th century pub, and in front of 10,000 fanatical French fans at Binic.

Gentle Ben turn their sights to the East Coast of Australia this month to unleash their new album, “Brut” on French label Beast Records.It's available in Australia through Spooky Records and it's procurable here.

The irresistible kinetic energy of Jett Rock and Roll exponents Guitar Wolf is heading to Australia and New Zealand in April and May.  It will be the first visit by the Tokyo band since 2017. 

Guitar Wolf has released 13 studio albums plus a live album, numerous singles, and a retrospective compilation, "Golden Black".

Band members have also been featured in two B-grade science fiction horror films: "Wild Zero" and "Sore Losers".

Scorching guitar, piercing vocals and a relentless stage act have endeared  Guitar Wolf to audiences around the world.  

Frontman Seiji puts it this way:

Tokyo's incredible Guitar Wolf are returning to Australia on a five-state tour in March and April 2025.



Since forming in 1987 and releasing their first album on Memphis's legendary Goner Records in 1993, Guitar Wolf have taken their wild and dangerous sound to the world, working with labels like Matador and Third Man in the process.

Guitar Wolf have released 12 albums and are signed to a major label at home in Japan. They first toured Australia in the late '90s, when mainman Seiji (pictured right) rode onto the stage of a packed Tote Hotel on the back of a borrowed motorcycle.



Inspired by the ultra-violent records of '50s guitar wielding maniac Link Wray as well as motorcycles, Ramones, Johnny Thunders, the Cramps and Joan Jett,

Seiji has called their sound "Jet Rock'n'Roll". He explained in a 2012 interview: "I love jet plane. I love noisy music, too. So...there were records...many records...every record have no big sounds. So...easy to listen. I hate that! So! I add jet sounds. Bwaaaahng! Explosion!"

Guitar Wolf are icons. They have their own branded motorcycle jacket, the 613 GW (made by Schott NYC of New York, who made the iconic 613 Perfecto jacket worn by the Ramones) and are movie stars, starring in the 1999 low budget sci-fi horror movie "Wild Zero".

Musical anniversaries are coming at us coming quicker than a Dee Dee Ramone "1-2-3-4" count-in, but there’s a special place in Australian rock and roll sensibilities for the 40^th birthday of the seminal Hoodoo Gurus album “Stoneage Romeos”.

The band has already unveiled vinyl and CD re-issues of the their debut LP and there’s a run of Australian dates in November and December this year on which the Gurus will reprise the long-player from go to whoa.

Originally released in March 1984, “Stoneage Romeos” featured the hits “Leilani”, “Tojo”, “My Girl” and “I Want You Back”. It reached #29 on the Australian Album Chart and went on to win Best Debut Album at the 1984 Countdown Awards. “Stoneage Romeos” has consistently appeared in the Top 10 on almost every Top 50 and Top 100 Australian album lists.

Explosive Japanese band King Brothers are returning to Australian shores for the first time since 2016 this month. A mix of blues and outta control ‘90s garage, King Brothers are an example of a band that take two genres with deep roots and manage to make a sound that sounds original. 

With a reputation for loose and rowdy shows, this run of gigs by the band from Nishinomiya City are a must see.

Lead singer and guitarist Keizo spoke to Matt Ryan via email.

He’s currently on the road in Japan and it’s Australia’s turn in June when boogie woogie and blues pianist extraordinaire Henri Herbert returns for live shows.

He's best known in Australian rock and roll circles for playing with The Jim Jones Revue, on their 2011 shows but on the global stage, the French-born and UK-raised Herbert is recognised for chalking up more than 100 million views on YouTube.

Herbert is now based in Nashville, Tennessee, and is constantly in demand in the USA. He'll mark his Australian shows with a formidable video single, a cover of the Jimi Hendrix classic “Fire”, which you can view after the MORE link

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Genre-hopping Spanish pub-rock/garage-punk/country/gospel/soul luminaries Los Chicos have released the new single "For A While" ahead of a looming album and seventh Australian tour.

“Never Too Much” will be the band’s eight long-player and was produced the great Mike Mariconda, guitarist of the Raunch Hands and producer of classic albums by the Cosmic Psychos, Powder Monkeys and New Bomb Turks. The album comes out on Cheersquad Records & Tapes on November 1.

Los Chicos, who have previously played Boogie and River Rocks festivals and toured twice with Radio Birdman, will be returning to River Rocks in Geelong and playing tour dates with Hard-Ons, Private Function, The Meanies, Mach Pelicanand the New Christs in November.  Tour dates in The Living Eye gig guide at right. Pre-order the LP here.