australian tour

Sensational San Diego trio The Schizophonics have announced two Australian dates in June.

They'll play Sydney's Marrickville Bowling Club on Thursday, June 6 (with Grinding Eyes) and Melbourne's The Tote on Friday, June 7 after a run of New Zealand dates. Tickets for both Austrralian shows are on sale here. 

The wild, gyrating, and down-right gymnastic, guitarist Pat Beers is joined by his wife Lety on drums and bass player Blake Lindquist...and yes, Beers is their real name. By day Pat teaches music but at night, once strapping on that guitar, he becomes a man possessed .

The Schizophonics are, in one word, EXPLOSIVE. Their frenzied live performances tap into the same unstoppable combination of rock ‘n’ roll energy and showmanship that fueled the MC5 in the heyday of the Grande Ballroom.

When they hit the stage, they grab your attention and don’t let go. They’ve built up a formidable reputation in their home base of San Diego and a fervent following among locals.

“One of my favorite live bands ever!” proclaims Tim Mays, who has run the Casbah for over 25 years and seen literally thousands of live bands come through his doors in that time.

Radio Birdman will mark their 50^th year with a farewell Australian tour in June and July.

The seven-date , four-city run – labelled “Birdman 5-0” - starts with two nights in Melbourne and ends with a brace of gigs in hometown Sydney.

Sunnyboys
+ Rocket Science
+ The Prize
Northcote Theatre, VIC
Saturday 28 January 2023
Michelle Bilson photos

A work colleague of mine told me once she’d had her wedding reception at the Northcote Theatre, back when it was known as Fani’s Receptions in the late 1980s, 70-odd years after its original opening as a picture theatre. The marriage didn’t last too long – about six months, I think – but the venue was still hosting sumptuously catered family celebrations up until it was taken over and reinvigorated as a live music venue.

The benefit of personal geographical proximity aside, I’m not sold on Northcote Theatre just yet. The combination of a high ceiling and a lack of absorbent surfaces renders the acoustic profile imperfect. Like the property prices in the local area, the drink prices are on the high side; frustratingly, it’s a cash-free venue and the distance between the stage and bar makes for a challenging journey for all concern.

The Beasts
The Johnnys
The Gov, Adelaide
March 17, 2019
Photos by Alison Lea

It's the last night of the Adelaide Festival and the city centre is abandoned to the tourists, and no doubt some "end of festival" official shindig, doubtless adding anodyne "vibrancy" (one of Adelaide City Council's favourite buzzwords) to the joint.

Meanwhile, Adelaide's finest and most intelligent people are voting with their wallets and pile into the Gov, many having come from miles around. One bloke is here with his wife from Kangaroo Island (more expensive than a trip to Melbourne or Sydney); another bloke flew 300 miles to arrive at 4pm, with a return flight at 8am. There are many happy drunks.

Tonight was the most beautiful gig I've seen in years, if not ever. I cannot remember a more wonderful, cathartic experience.

_{Nancy Rankin-Escovedo photo.}

In 2018 Alejandro Escovedo released "The Crossing", an album based on the story of two boys, one Mexican and one Italian, travelling across the United States. “I’ve always lived along the border in California and Texas, so it’s been part of my story,” Escovedo says. But while immigration is fundamental to the evolution of modern America, in recent years it’s has become a hot political topic.

(To accentuate the point, a few hours before my interview with Escovedo, US President Donald Trump invoked emergency powers to secure the funds to continue the building of his border wall between Mexico and the United States.)

Escovedo didn’t set out to write a political album; it’s just that “whenever you talk about immigration at this time it tends to be political because of what’s going on in America”.

Japanese heavy rock pioneers Boris are joining forces with J-Rock legend Kiyoharu for a 2024 Australian tour billed as "Heavy Rock Breakfast".

Boris are known for their relentless pursuit of sonic excellence in heavy rock. The four-piece Boris line-up of Takeshi, Wata, Atsuo and drummer Osamu are playing the Golden Plains Festival in Victoria and the Ωhm Festival in Brisbane, as well as headlining shows in Sydney, Melbourne, Adelaide and Fremantle.

High-energy veterans Senor No from Basque Country (don't call it Spain) are embarking on their first Australian tour this month but their Anipoddean connection already runs deep.

Senor No was born in Donostia/San Sebastian, Basque Country in 1993, after the dissolution of the seminal Spanish group La Perrera. The band released their first LP with No Tomorrow Records in 1994 and toured Spain and surrounding areas relentlessly while recording five more albums and more than a dozen singles.

Senor No was the very first release for the seminal Spanish label Bang! Records which is a label responsible of releasing some of Australian best bands overseas.

Radio Birdman is embarking on a short, sharp Australian tour with Citadel label-mates The Stems in tow. The five-date run will include Spanish band Los Chicos as guests on three gigs.

Tickets are on sale via venue websites.

Radio Birdman
+ The Stems
OCT
25 – Factory Theatre, Sydney
+ The LangLangs
26 – The Gov, Adelaide
+ Sunday Reeds
NOV
1 – The Triffid, Brisbane
+ Los Chicos
2 – Coolangatta Hotel
+ Los Chicos
4 – Croxton Ballroom, Melbourne
+ Los Chicos

_{Evan is in the backseat of his Cadillac.} 

Beloved alt-rockers The Lemonheads are returning to Australia this December.

Since they were formed by Evan Dando in Boston, Mass, in 1986, the family tree of The Lemonheads has many twisted tentacles and tangential branches, and a host of one-liners etched into its bark. Anyone could be a Lemonhead but for how long who knows? Leastways they’ll be shoulder-to-shoulder with Evan throwing discordant chords against alt-country-tinged melodies, playing that light and dark card. Through their ranks have passed Descendents, Blokes Babies, Dinosaur Jr - and even a member of Australia's The Eastern Dark.

Died Pretty has reluctantly cancelled its run of Australian shows in October due to health concerns for band members Ron Peno and Chris Welsh. In a statement on Facebook an hour ago, the band said:

_{Katelyn Slyer photo.} 

Wollongong duo Chimers is hitting the road in Australia, in support of their new album “Through Today”, which is out on November 8 on Poison City Records in Australia and 12XU in North America.

It’s the second album for husband-and-wife Padraic and Binx  following their self-titled debut in 2021 and they’ll play their own shows in four states and as special guests to Party Dozen (Sydney in October) and The Saints ’73-’78 (in November).

_{The classic early Saints line-up with reformation participants, drummer Ivor Hay and guitarist Ed Kuepper at front, and Chris Bailey at the rear.}

The Saints reformation has turned ugly with the Estate of late frontman Chris Bailey going public with a condemnation.

In a tersely-worded media statement released overnight, Chris Bailey’s Family and Estate questioned the decision to reform The Saints with Mark Arm from Mudhoney replacing the late singer who passed away two years ago.

“Neither the late singer’s family, nor the Chris Bailey Estate, were informed or consulted, on this decision,” the statement said. “We are surprised that Mark Arm agreed to do this without consultation.”

The statement said the Estate owns “The Saints” name and its primary objective is “to honour Chris Bailey’s memory and the Saints significant legacy with integrity”.

_{Kim Scott.}  

Formed in Adelaide in the early 1980s and based on the core membership of brothers John (guitar) and Kim Scott (bass), The Mark of Cain was always something of an enigma in the Adelaide, and Australian independent music scene. 

The Mark of Cain took its initial musical cues from English post-punk bands like Joy Division and Gang of Four; the band’s muscular sound was complimented by a existentialist lyrical bent, inspired by John Scott’s interest in the writing of Jean-Paul Sartre, Albert Camus and Herman Hesse, spliced with figurative militaristic imagery. 

The fact that the Scott brothers, both qualified engineers, held down day jobs in the Department of Defence added to The Mark of Cain’s mystique. 

The Hard-Ons kicked off their “I'm Sorry Sir, That Riff's Been Taken Tour” - their first tour with new singer Tim Rogers- with three sold out shows on the weekend, only to hit a hurdle yesterday. 

The group issued a statement this morning:"

We regret to advise that the band has unfortunately been struck with Covid, with one of us testing positive earlier today, so under current Public Health Orders they're required to self-isolate. As a result, we’ve had to reschedule this week’s shows. These performances will however proceed on the following dates. Existing ticket holders do not need to do anything as tickets will automatically apply for the new date. 

The re-scheduled New South Wales dates are:

Wed June 1 - Wollongong, La La La's - tickets here
Thu June 2 - Sydney, Factory Theatre (for Great Southern Nights) (with guests Flowers For Jayne) - tickets here
Fri June 3 - Newcastle, Cambridge Hotel - tickets here
Sat June 4 - Avalon, Avalon RSL (with guests Raising Ravens) - tickets here

Shows in Canberra, Adelaide, Geelong and Melbourne will proceed as scheduled. 

_{Dave Studdert.}

When drawn to writing about Tactics, their new album and their forthcoming Australian tour, I had a youthful flashback to being a 17-year-old and moving down to Sydney from the bush. Armed with smudgy-ink copies of RAM magazine, I was aware of so many bands that I knew mostly in name only: Midnight Oil, Hitmen, The Saints…and some weird shit (at least in my mind) like The Tactics, Thought Criminals and Dead Travel Fast. I was like a sponge and I wanted to see every one of them.

I had a hunger for a tapestry of sounds and new, sharp sonic edges - stuff that was so far from the bland radio fodder like Cold Chisel and Dragon. I left a live music scene centred on a dilapidated pub by a river that often flooded…a place with peeling paint and populated by old tradies with battered faces, professional alcoholics and underage kids. We watched the odd cover band and the place was home to weekend rock-stars playing poorly -delivered Chuck Berry riffs. The alternative was the local blue light disco that usually ended in a bloodbath by the end of the night.

So, I moved. I headed to Sydney.

Jello-less since 2001, the Dead Kennedys are bringing their brand of seminal punk back to Australian audiences, 25 years since they first hit our shores and th first time since 2014. 

The band - these days that's East Bay Ray, D.H. Peligro, Klaus Flouride and singer Skip McSkipster - is doing a quick hit-and-run of four shows in a week.  

The Dead Kennedys had a huge impact in Australia in the 1980s. Their albums - “Fresh Fruit for Rotting Vegetables”, “In God We Trust, Inc”, “Plastic Surgery Disasters”, “Frankenchrist”  and “Bedtime for Democracy” – sold by the thousand at a time when punk had yet to break into the mainstream, and kept selling big numbers for decades.

Expat Aussie fuzz 'n' beats rocker Dez Dare is returning home from the UK for shows to celebrate the release of his fourth album, "A Billion Goats. A Billion Sparks. Fin."

The media release is worth reproducing verbatim:

On past records Dare has fought beasts and beats alike, waging a fuzz war and tackling the biggest topics the world has to face; Doom scrolling, capitalist demagogues, a passionate dislike of the beach in summer. On this record he leaves the sardonic frustration behind for sarcastic existentialism, zeroing in on the big philosophical questions, and the pedantic shards of nonsense that make up our existence.

Piling up the synths, noise boxes and guitar pedals, Dez set about building a soundscape of noise and ideas around the nature of reality, time, and how we interact with them. From the music you would play in your last moments, to the reverse Darwinism of modern society, to arguing with time itself, and very boring people talking at you, all is covered here for the aspiring existentialist. 

Dez Dare is self-produced Darren Smallman (ex-Low Transit Industries, Warped, The Sound Platform)and he's three decades producing music, releasing and touring bands, and doing live sound. A product of the coastal Victorian city of Geelong,  he was introduced to the DIY punk and rock scene at 15.

_{John 'Gaoler' Sterry. Rick de Pizzol photo.}

Gang of Four
God God Dammit Dammit
Lion Arts Centre, Adelaide
November 5, 2019

Gang of Four are touring Australia and New Zealand and played Adelaide earlier this week. They were fucking brilliant. Exciting. Brutal. Gigantic. Fun, too. But... pointed and magnificent.

It's a no-brainer. Go see them while you can.

Right, well. A little context. When I was asking a few friends if they were going, one said, 'they sound like every other band'... well, no they don't. See, the thing is, over the last 40 years a lot of other
bands have picked up on their style, which is now familiar.

The Beastsare back. The band whose core membership is drawn from surviving members of The Beasts of Bourbonis undertaking an Australian tour...and have revealed that it’s under doctor’s orders.