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big star

  • hung up on youThe re-birth of the Stoneage Hearts sounds like a sequel to “High Fidelity”: Three guys walk into a record store at various times, buy the new Red Kross album from the owner and they all decide to form a band. They rehearse at nights in the shop, record an album, tour together and achieve global success.

    Apart from the last bit about the worldwide success, the story is true. Not that global domination isn't possible, but more on that later.

    This is the third incarnation of this Melbourne garage-pop band and apart from a stack of classic garage and powerpop influences, drummer Mickster Baty is the only constant. Previous line-ups were fronted by Danny McDonald (P76) and Dom Mariani (The Stems, DM3) with Ian Wettehall (Seminal Rats, Phillesteins, Freeloaders) on bass then and apart from guest Farfisa organist and Mickster, this one is populated by relative unknowns. Not that it matters a jot. They’re up to the mark and this is a great record.

  • ken-stringfellowAfter flooring all who attended the Big Star’s Third tribute show for Sydney Festival in January and his subsequent solo shows with Chris Stamey and Skylar Gudasz, Ken Stringfellow is returning to Australia for intimate sideshows in Sydney, Hobart and Melbourne.

  • these pretty wrongs portraitLuther Russell and Jody Stephens in Those Pretty Wrongs duo format.

    As drummer and a founding member of the legendary Big Star, Jody Stephens is an icon to so many of today's musicians. The musical legacy of Big Star is as omnipresent as it's ever been and undoubtedly this enormous global respect is due to the band's recording of three of the greatest albums ever set to vinyl.

    A hugely successful reformation by Big Star in the early ‘90s produced a world tour and a fine fourth album. Pleasingly, over this past decade, Jody has gone on to create even more marvellous music wth a duo outfit with Luther RussellThose Pretty Wrongs

    As a songwriting pair, their music is refreshingly honest, supremely melodious and inherently tender in its style. And the recordings are super hi fi harking back to the quality of John Fry’s famous work at Ardent Studios with Big Star. 

    It is therefore the music of Those Pretty Wrongs I primarily wished to focused on in this Q&A in advance of Those Pretty Wrongs’ exciting upcoming second tour of Australia. I was especially keen to seek a deeper understanding of how Jody’s own musical journey influences the music of Those Pretty Wrongs.