jack howard

TOP 11 ALBUMS 

Eddy Current Suppression Ring - All in Good Time
Nine years is a long time between drinks, but this was well worth the wait. For my money the most important Melbourne band of the last 20 years returns with an LP up there with their first two albums. In true Eddy Current style this LP just all of a sudden dropped out of nowhere, with no shows and little media presence to promote it. Garage rock the way it should be, messy but tight, loose and fast and songs ending whenever it feels like that’s enough.

Hexdebt- Rule of Four
Punk meets shoegazing with social’political messages that come straight in your face. The long awaited debut LP of Hexdebt backs up their reputation as a killer live outfit

Cereal Killer – The Beginning and End of Cereal Killer
The first and last long player of this Geelong supergroup. I saw ‘em live a few years back with feedtime and was blown away, so was keen to hear the LP as I wanted to see how that stage show was put on record. The LP has plenty of the power of the live show, combining elements of garage, punk and electro, one of the most fresh and finest releases of 2019.

Plastic Section - Trouble is Our Business
Sun City meets John Spencer. Killer '50s guitar and vocals, two ripper instrumental tracks and only one song cracks the three minute mark. Its sounds old but in a new way, powerful but not flashy guitar. Singer-guitarist Ben Edwards sounds like he could ave played with the Killer himself.

Mick Trouble- Here’s the Mick Trouble LP
Thanks to Ritchie Ramone at Strangeworld for putting me onto this. Was amazed this came out this year as I thought it was a lost Television Personalities recording. One of those gems I would only discover via the man behind the record store counter. Buzzcocks style harmonies meets the storytelling of Wreckless Eric.

Imperial Wax - Gastwerk Saboteurs
Pete Greenway, Dave Spurr and Keiron Melling had been the core of the Fall for the last decade of the band's existence until the passing of Mark E Smith. The three lads hooked up with Sam Curran to make an LP their old taskmaster would ave been proud of. It’s not the Fall, but without MES how could it? Theres certainly elements of the Fall in there but the lads ave their own approach and ideas, much like the Fall, taking a simple idea and expanding, taking rock music to new places.

Wild Billy Childish & CTMF - Last Punk Standing
With the exception of Mark E Smith no one has given me more joy then Billy Childish. Pretty much every year theres an LP with the name Childish that appears in the top 10 list. The mans a hero of mine. On top of the massive discography of amazing albums, what I love about him is the fact the man just gets on with it. Bangs out two LPs a year, with just two, if that, chords and bangs out a record in one take. No overdubs no time for being precious, just doing it and doing it well. I wish I had this talent and discipline.

“Nevermore” - Dalicados (self released)

Hello Barflies! Dalicadosare from Melbourne and have released “Nevermore”, a collection of well-crafted tunes from some of Australia’s most respected bands including The Chosen Few, I Spit On Your Gravy, Hunters and Collectors and Epic Brass.

“Nevermore” kicks off with a groovy track: “Make Hay While The Sun Shines” features great bass-lines, fabulous guitar-work and is a wonderful song to start off. “Simple As It May Sound” takes it down a notch. It’s very soulful and a touch sad.

Dog Songs - Jack Howard and the Long Lost Brothers (self-released)

This from the press release:

"'Dog Songs' is a 'best of' Jack's Dog's Bar residency with his mighty band of Long Lost Brothers - and sisters. It features some powerful new songs, like 'Reason to Believe', and 'Panic in the City', plus ripper versions of some of Jack's great older tunes like 'Let Me Live' and 'City Lights'. The band features some of Melbourne's finest in absolutely stellar form - Ed Bates on pedal steel guitar, Nick Del Rey on guitar, Cal McAlpine on drums, Rob Walker on bass, Fiona Lee Maynard on backing vocals and percussion, and Amy Valent Curtis on percussion. Production from Craig Harnath at Hothouse Audio captures the band's live energy and power without sacrificing the rich warmth and depth of a studio recording.'"

Well, you don't need me, really, do you?

Off you go and buy "Dog Songs".

No? Still here?

What's that?

"Do some fucking work, Robert"...?

Bastards, the lot of you.

_{Headliner Kim Salmon: No fish out of water.   Campbell Manderson photo}

Every time I go to Melbourne, something elbows me in the ribs and, somehow, things don’t go according to plan. The last few weeks have been short pay weeks, so I didn’t have quite enough dosh as I expected.

Of course, I had also completely forgotten that hotels now want a deposit against impromptu extra day stays and so forth, just in case you take the toaster into the shower or, to settle an argument, see how just far down the emergency stairs you can surf on the bed.

So, somewhat impoverished, I set off for St Kilda, a once-magical place of genteelly-crumbling art deco, dread gangsters (the real kind), assorted equally impoverished students, musicians, dealers and migrants and so on and so on. The event is the 16th A Day By The Green, a long-running Melbourne rock and roll institution.

This album is worth four bottles. Possibly more. I’ll know in a year’s time, when I’ve finished listening to it. “Antarctica” is a sleeper, and it’ll get you in the end. Probably at night, it feels stronger at night. Lex from Seedy Jesus did the cover, and it’s a beauty, really smart.

And, yes, I’m going to repeat myself: the world is currently awash with brilliant music, much of it - like “Antarctica” - very strong and remarkably commercial. Given the airplay and the backing, "Antarctica" should be in thousands of homes around the world; certainly the USA would like this outfit. That said, I’ve not yet seen Melbourne’s Marilyn Rose and the Thorns - but I’ll rectify that as soon as I can.

It’s renowned as one of Melbourne’s most spectacular rock and roll shows and it hits Sydney’s Factory Theatre at Marrickville on Saturday. Epic Brass is the brainchild of Hunters and Collectors horns man Jack Howard and employs a stellar cast of underground stars to showcase the songs of the Saints, X, Laughing Clowns, Painters and Dockers, the Hunnas and Midnight Oil.

Former Sydneysiders Ron Peno (Died Pretty), Steve Lucas (X), Penny Ikinger (Wet Taxis) will join Jack Howard and Fiona Lee Maynard, with John Archer (Hunters and Collectors) on bass and Ash Davies on drums. Tickets here.

If you’re of a resident of Sydney’s Inner-Western Delta, you won’t have far to catch two sideshows before and after Saturday. Steve Lucas plays a free solo show at the Golden Barley at Enmore from 8pm on Thursday night with Penny Ikinger backing up at the same venue at 7pm on Sunday, also gratis.

Lightheavyweight 2 - Jack Howard (self released)

Jack Howard? 

Trumpet player. One of the guys in the Hunnas horn section. And The Horns of Contempt.

Who's been playing with Midnight Oil a lot over the last few years. Special gigs with X, a few with Hunnas, but... you know. Day job, kids... who has time to be creative these days?

Jack can't let go of the creative bug. In between all those suburban things, he's been doing solo material, working with the band Epic Brass (a sight to behold)... good, God, there are 15 releases on his Bandcamp page! 

Seems that the long EP is the way to go. A CD single was always a bit naff, a CD EP was okay but seemed a little wasteful in terms of time; a full CD these days is the equivalent of a double vinyl LP back in the mists of time.

Speaking of going back, a decent 7” was a work of art, whether it be by the Clash or the Psycho Surgeons, the Cramps or The News (I’ll never forget the first and only time I’ve held a single-sided single in my hands - utterdelight and incomprehension all at once). An EP was harder to achieve but was still a work of art.

_{Colin Blum photo}

1. Craig McRae
I’ll get to music in a second, but I need to give kudos to the Human Fly, Craig McRae, for his amazing job as first year coach of Collingwood. From second last to one point off a grand final appearance. I don’t want to overhype him and I’m aware he’s only just started the role, but I think it’s safe to say McRae is on track to be Munster’s person of the decade.

2. TISM- The Croxton and Prince of Wales Bandroom
After nearly two decades of nothing, it was wonderful to see the return of the band that put Melbourne’s South East on the map. Two brilliant warm up shows (missed the third), I was amazed that after all these years, the band, now approaching retirement age, put on a no holds barred show that included crowd surfing and the full contact dancing that you only see at a TISMshow. The crowd was mixed of people that came back to relive the glory days, and plenty of young people seeing TISM for the first time. The songs are still brilliant, and hearing two new Ron Hitler Barassi diatribes proved that TISM are just as relevant now as they were in there 90s heyday. And these secret shows were a godsend, meaning I could keep well far from that odd festival they were on at.