manning bar

It’s winter in Sydney but the city’s monthly Rock and Roll Market is cranking up the heat with its latest live music line-up.  

Gay Paris (pictured, right), Papa Pilko and the Binrats, West Texas Crude– flying in from Brisbane – and rockabilly act The Red Rollan Deuces team with DJs Limpin’ Jimmy & the Swingin’ Kitten, Rod Almighty, The Crimplenes and Solid Gold Hell for the July 29 event at Sydney University’s Manning Bar from 10.30am.

As always, punters will be dazzled by an array of unique stalls featuring fashion galore, rock ‘n’ roll, alternative, vintage, handmade and unique clothing for men, women and children, jewellery, accessories, cult DVDs, artwork, homewares, collectables, tikis, posters, handmade unique goods.

Organisers promise there will be more than 50,000 LPs, 45s and CDs on sale, covering rock, punk, metal, rockabilly, blues, jazz, country, reggae, club and hip hop. The Record Fair is presented by Revolve Records (Erskineville) and Egg Records (Newtown).

You’ll also find a café, bars, international food, giant kids’ games, classic and vintage vehicle display plus more.

_{Lemon Twig Brian D'Addario.}

The Lemon Twigs
+ Jack Ladder
Manning Bar, Sydney
Saturday 28 October, 2023

Photos: Shona Ross

The Lemon Twigs are Long Island, NY, resident brothers Brian and Michael D'Addario and are on their second visit to Australia since 2017. They’ve been on the playlist in our house for four or five years at our youngest family member’s insistence and it was deemed compulsory we attend this show on their short tour.

The show at the Manning Bar was opened by Jack Ladder who had done a spot on the NSW Spencer P Jones Tribute bill a few years back. My recollection from then was that Ladder did a set of acoustic tunes solo and was well received. Tonight, he appeared in a duo with an Epiphone parlour guitar and an accompanist and started off in much the same vein. 

Johnny Thunders and the Heartbreakers famously played “rent parties” at the turn of the ‘70s when they’d finished living in the UK and were back home in New York City.

What proportion of the proceeds from their sporadic gigs went towards keeping a roof over their heads was purely speculative. There were other activities to feed and audience members used to throw loaded syringes onto the stage.

Things were a world removed at the Manning Bar in Sydney on Friday night, where the audience threw two bouquets of flowers at Ed Kuepper.

We’re drawing a very long bow here, I know. This was the first leg of a modest two-city run (the next one in Melbourne on March 23) by Ed’s band The Aints. Chances are, the most popular drug in the room was Lipitor. The objective here is not to pay the rent – shit, Ed Kuepper now has a Brisbane park named after him so he can always live on a bench there - but to fund new recordings.

If that’s not exciting news, you’re in the wrong bar.

_{Ian Amos photo}

The Sonics in Sydney? What you got out of this gig depended on what you wanted.

If you longed for a show by the “classic” Sonics lineup of “Boom” and “Here Are The Sonics” albums you were always going to be fresh outta luck. That band hasn’t existed since 1967 or ’68. If, however, you wanted a great rock and roll gig with spirited and often inspired renditions of the band’s back catalogue, you almost certainly walked away with a big fat smile on your dial.

In most minds, The Sonics were the surprise packet of the first DIg It Up! travelling revue in Australia a few years ago. Sunnyboys might have been sentimental favourites, The Fleshtones the dynamic attention-getters and Hoodoo Gurus the much-loved headliners, but The Sonics tore the house apart with a raw and righteous set that belied their superannuant appearance.

Let’s make it plain: The Sonics unwittingly made the template for garage punk in the ‘60s and did their reputation justice in Australia.

 
_{Murray Bennett photo.}

The Stems
+ New Christs
Manning Bar, Sydney
Saturday, August 30, 2024
Photos: Tony McNamara unless otherwisde credited.

Shows by The Stems are reverential experiences, And for good reason. The band’s membership is scattered over two coasts of Australia and gigs don’t occur often. When they do, you know they're going to be something worth bottling.

What’s the special sauce? It’s Dom Mariani’s timeless pop songs being delivered by top-shelf players who have a chemistry that can only come from most of them playing together for years.

The foundation is Mariani on guitar and vocals, drummer Dave Shaw and bassist Julian Matthews, with a guitar foil of Ash Naylor(this tour) or Davey Lane, who are both ubiquitous and gifted in equal measures.

As far as recordings go, The Stems have not been prolific, with just two full-length studio albums since 1987, so it’s all about the quality and not the length. Their first LP, “At First Sight Violets Are Blue”, was a fully formed pop classic, and the 2007 “follow-up”, “Heads Up”, was substantial in its own right, although is not as well-known.