radio birdman

Jonathan Sequeira’s raw and stunning documentary, "Descent Into The Maelstrom - The Radio Birdman Story", has been snubbed by Australia's national public broadcaster the ABC.

Released as a short-run feature in Australian cinemas and shown at film festivals and limited screenings in the USA, Japan, the UK and Europe, “Descent” will be released via DVD and streaming in September this year to coincide with a Radio Birdman tourof Australia and Europe.

The taxpayer-funded ABC was offered a deep discount to screen it on Australian free-to-air TV but has declined, after months of dithering and silence.

In an online statement published overnight, filmmaker Jonathan Sequeira said:

Regardless of my involvement, it is a tragedy that the ABC will not be broadcasting the largely unknown story of the most important band in Australia’s music history. I consider that to be letting down the Australian public, and a failure of the ABC to follow its charter.

Radio Birdman has also issued an online statement overnight:

Considering the highly relevant content of the film, from the perspective of Australian music history, ABC was the obvious choice of channel…The band is disappointed but not really surprised. We have been familiar with this sort of attitude from the establishment since the 1970's.

Curiously, ABC has screened documetaries about the Saints and the Go Betweens, as well as series of programs based on its own "Countdown" franchise. 

You can make your opinion known by contacting ABC-1 Channel Manager Natalie Edgar via abc.net.au/contact/complain.htm

In news just to hand, Radio Birdman is releasing two previously unheard tracks on 7' vinyl - the Master's Apprentices "Buried and Dead", and Alice Cooper's "The Ballad of Dwight Fry".

Both cover versions were originally recorded in 2004 at Hothouse Studio in Melbourne, and recently remixed and mastered. The single will be a Record Store Day special so make enquiries with your local emporium of vinyl.

Radio Birdman is playing a limited number of Australian East Coast shows over two weekends this September/October, before heading off for a 22 date tour of Europe.

The Australian run will coincide with the release of "Descent into the Maelstrom”, the Jonathan Sequeira-produced documentary dealing with the band's rise and demise in the late 70's and later re-emergence.

The documentary has received great attention at various film festivals in London, Glasgow, Norway, Amsterdam and Detroit and is now scheduled for local release on DVD with bonus content this September.

It will be available at the band's shows, online and via discerning retail outlets.

Supports on this tour will include Adalita (Melbourne), Brisbane's Hits (Brisbane and Sydney) and all shows will feature special guests from Spain Los Chicos.

RADIO BIRDMAN
AUSTRALIAN TOUR 2018
SEPT
27 - Croxton Bandroom, Melbourne
+ Adalita + Los Chicos
28 - The Triffid, Brisbane
+ Hits + Los Chicos
30 - The Gov, Adelaide
+ Los Chicos + The Sunday Reeds
OCT
6 - Manning Bar, Sydney
+ Hits + Los Chicos + DJ Frank Cotterell

Tickets for all shows are on sale from Wednesday. June from Oztix.

Iconic underground products of the Sydney music scene, Radio Birdman and Died Pretty, are undertaking a double-header tour of Australia.

Although they formed 11 years apart, Birdman and Died Pretty had their roots in the same Darlinghurst breeding ground. Died Pretty's Ron Peno was a patron at the Oxford Funhouse and a member of Birdman support act The Hellcats. Birdman's Rob Younger has been a production hand at critical points of their recording career.

Muscially, they veered in disparate directions. Spirit-wise, the bands shared a common sense of independence and going their own way. Both bands will be alternating headline positions.

Is it really the last yeah hup? Radio Birdman has added a third and final hometown show to the June-July "Birdman 5-O" farewell tour after two dates at Sydney's Manning Bar sold out.

In a statement today, the band said: 

"Due to overwhelming demand, there will be one extra Sydney concert on Sunday 7 July to accommodate those who were unable to get tickets to the previously scheduled Sydney concerts. The RB50 tour has been limited to just eight dates due to personal factors.

What with them scheduled to support Chris Masuak (“The Australian Rock Festival - The Legacy of Radio Birdman In Spain”) for a show in Spain being filmed for a documentary, I suppose it would be polite to review the Sonic Race’s CD.

The Sonic Race are from Spain and play high-energy, exuberant rock that keeps rocking. They don’t stop for no-one and you need this album in your house - and on your car stereo - right now. Oh yes, magic phrase:”Twin guitar assault”.

I got mine through their Australian representative Axelle Dee on Facebook. She may have a few left and they also have a Bandcamp. 

Some of Austrealian rock and roll’s best-known underground artists fwill be featured in an exhibition opening in Sydney next month.

The Rock ‘n’ Roll High School Art Class of 2023” runs at Ambush Gallery at 4 James Street, Waterloo, from Friday, October 13 until Sunday, October 15 from noon until 4pm.

Described as “a group show by artists that rock and rockers who art”, it will show art from the likes of Reg Mombassa (Mental as Anything), Warwick Gilbert (Radio Birdman), Glenno Smith and Gina Monaco (Hellebores), Mike Foxall (Sick Fizz, Neptune Power Federation), Celia Curtis (White Knuckle Fever), Ray Ahn (Hard Ons), Ben Brown (Hellmen), Link Meanie (The Meanies), Rick Chesshire and Simon Day (Ratcat).  

You’ll find the Facebook event here. 

Foundation Radio Birdman drummer Ron Keeley is offering a rare piece of memorabilia for sale on the UK eBay site, taken from his own collection.

This item is a 24 inch (61cm) diameter painted bass drumhead from his white Rodgers kit. It was hand-painted by the band’s long-serving bass player and their artist, Warwick Gilbert. It saw action from 1976-78. It was re-used by Ron after Birdman broke up and he joined The Visitors, at that point being covered by a cardboard fascia with that band’s logo.

“It was on the kit for ALL the Radio Birdman gigs we played during that time, including all those at the Funhouse, the famous live session at 2JJ Studios, both of the legendary 1977 Paddington Town Hall gigs and many others,” Ron said.

“Condition is pretty good considering its age and the number of ‘skirmishes’ it was involved in…although it’s a bit battle-scarred (and stained in places with splashes of beer and other unidentified liquids.)”

The item comes with a personally signed Certificate of Authenticity stating that the drum face is a contemporaneous item from Ron’s personal collection, and describing its provenance.

It’s their fifth tour but who’s counting? Spain’s ultimate party band Los Chicos is returning to Australia in October, playing with Radio Birdman and doing sideshows. They’ll will take their garage-country-punk to stages in Melbourne, Brisbane, Adelaide, Sydney and the the Gold Coast, so if you live in any of those places or within driving distance, you have no excuse. Keep up to date on tour dates and ticketing here.

NOV
1 – The Triffid, Brisbane (w/ Radio Birdman)
2 – Coolangatta Hotel, Gold Coast (w/ Radio Birdman)
3 – The Outpost, Brisbane*
4 - The Croxton, Melbourne (w/ Radio Birdman)
5 - The Tote, Melbourne*
6 – The Metropolitan, Adelaide*
8 – Marrickville Bowlo, Sydney* - New Christs headlining + 300 St Clare
9 – River Rocks, Geelong (sold out)

Tickets for the previously announced Radio Birdman Sydney Manning Bar show on Saturday, October 6 are selling fast, with a sell out expected. The band has announced a second show at the same venue on Friday,  October 5 and tickets are on sale here.

Radio Birdman is doing a limited number of Australian East Coast shows over two weekends this coming September/October before heading off for a 22-date tour of Europe. Supports on the Australian tour will include Adalita (Melbourne), Brisbane's HITS (Brisbane and Sydney) and all shows will feature special guests from Spain, Los Chicos.

Last year's Australian tour with co-headliner Died Pretty was surrounded by the buzz of the limited cinema release of "Descent into the Maelstrom", the Jonathan Sequeira-produced documentary about Radio Bifrdman. The local release on DVD with bonus content will coincide with the tour with a special edition available at the band's shows.  

Alternative title: "He Gets by With Some Help From His Friends".

Producer-guitarist Bruce "Cub" Callaway assembled a stellar cast for this, his 2013 return to recording after a lay-off, and it shows.

John Hoey (Died Pretty), Warwick Gilbert (Radio Birdman), Paul Larsen (Celibate Rifles), Clyde Bramley (Hoodoo Gurus) and Julie Mostyn Gilbert (Flaming Hands) all played roles. Lesser-knowns Ian Johnson, Louis Callaway and Harry Rothenfluh also contributed drums.

_{Check out the magnetism: Paul Berwick, Jiom Diockson, Matt Galvin and Nick Kennedy.} 

You could say they’re about to “step into the light” because that’s the name of the debut single for Sydney band Paul Berwick’s Magnetic Quartet. Bandleader Paul Berwick was the guitarist, singer and songwriter for Sydney’s late 1980s favourites Happy Hate Me Nots and has teamed with old friends Matt Galvin (guitar), Jim Dickson (bass) and Nick Kennedy (drums) to produce new original songs.

The individual band members have a wealth of experience (Happy Hate Me Nots, Radio Birdman, New Christs, Knievel, Big Heavy Stuff, Died Pretty, The Orange Humble Bandand Settlement)but have played only a couple of shows together as Paul Berwick’s Magnetic Quartet. They’re a class outfit as evidenced by their I-94 Bar promoted support to Leadfinger earlier this year.  

They’ll launch the single with good mates Joeys Coop (featuring Died Pretty guitarist Brett Myers) at Sydney’s MoshPit Bar on Friday, November 12. Limited numbers of in-person tickets (and unlimited streaming passes) are selling here. (We’ll post a link to the single on Bandcamp after the gig.)

There was a time when sharp divisions ran like Pacific Rim fault-lines between underground musical factions in Sydney. 

One one tectonic plate stood the Radio Birdman-influenced, leather-clad, guitar warriors steeped in ramalama-fa-fa-fa and the Stooges, on the other an esoteric bunch of people making sounds with synthesisers and other assorted machines. Picket lines were established and few crossed them, unless by accident or if no-one was looking.

Space Travels – Sonic Garage (self released)

It’s a a couple of years since Circus Chaplains from Sydney’s Northern Beaches fell by the wayside after the passing of Luke Lovelock,but his bandmates Phil Van Rooyen (Dr Fruitworld, Panadolls, Chickenstones) and Peter Bourke aren’t ones for standing still.

They’ve gone on to a new band with ex-Mushroom Planet bassist Pete Trifunovic, drummer Ronny Welsh and pianist Russell Parkhouse (ex-Riptides).

Sonic Garagerecorded their album at Zen Studios in Sydney in these odd COVID times and it’s a wonderful, ragged and righteous collection of songs that recalls familiar Harbour City high energy rock reference points.

Punk/proto-punk guitar heroes, James Williamson (Iggy & The Stooges) and Deniz Tek (Radio Birdman), have joined forces for a studio album. "Two To One" is released in September 18 by US label Cleopatra Recordsand "Stable" is the lead-off video track..

Williamson and Tek met at a memorial show for founding Stooges guitarist Ron Asheton in 2011 and reconnected when Williamson finally made it to Sydney with Iggy & The Stooges in 2013. They’ve since become neighbours in Hawaii. Although generationally separated,  they share roots in the fertile Ann Arbor/Detroit high energy rock scene of the late '60s and early ‘70s.

Concrete Box b/w Crazy For You – Room 101 (Lost in Pyrmont Records)

This particular Room 101 were the first band to use the name that I'm aware of; there is now a chat show (dear God), a band from Lansing (Michigan) and a post-hip-hop outfit from Nuh Zuhlund, which explains why this band's bandcamp addy is https://room1011.bandcamp.com/

"Concrete Box" is a slice of simple, socially-observant venom articulately snapped out, with zipping twin guitars in sharp sync with bass and drums, with a lyrical trajectory perfect for the physically active lead singer. Granted the pop world had moved on somewhat from guitars (so the industry thought at the time)  but the crowds in Sydney thronged to hammering bands like Room 101. Given some of the rather woeful "punker" type bands which appeared each Sunday night on 'Countdown', Room 101 would've cheered you up no end. 

It’s taken me a little while to get to this one, and I wish I’d got here sooner.

There’s 12 tracks, nine by guitarist Dylan Webster, three by other guitarist Jason Sharples. With your bass by Dave Lundquest, drums by Serge Ou (no, really, that’s what it says here) and vocals by Michael Preiss… we’re looking at a band capable, if we read the back of the CD right, of constructing and delivering the twin guitar assault.

Do they?

My oath they do.

“What's he doing reviewing THAT?”

Only people of a certain age will “get” this review. The term "Guilty Pleasure" will not be used at any point.

Admit it, punk. If you grew up in Australia in the 1970s and ‘80s (OK, you were might have been underage and still growing up, but you could sneak into licensed premises) and lived anywhere outside of Melbourne and Sydney’s inner-city regions, a dose of Pub Rock was unavoidable. A way of life, even.

These boys come outta the blocks right at your face and do their best to tear it off. So you’re dancing like a middle-aged dickhead in the living room (or I am, anyway), loving the sharp, smart changes, the handclaps, the groove, the bounce and bluster.

Given the band and the song this website is named for (it's not Pinky and Perky, nor New Order, nor The Smiths. Give up..?) it’s almost a no-brainer that you’d probably enjoy “The Sonic Race” EP.

In fact, I’d say this: if you’d never heard Birdman, MC5, Stooges, Dictators or the Dolls … or anyone like them, and you heard The Sonic Race… you would go out and buy an instrument and learn how to play it, and drag people in until you could all go out and play like demons and lay waste the countryside.

It's a long time between Penny Ikinger records but the results are usually worth the wait. "Tokyo" follows "Penelope" (2010) and "Electra" (2003) and is as evocative as ever but with a slightly rockier disposition.

"Tokyo" was recorded with a batch of top-notch Japanese psychedelic musicians, with heavy input from Radio Birdman's Deniz Tek. The latter's influence is evident - not just in some flammable splashes of lead guitar but also in the odd lyric. That Four Winds Bar sure has done some mileage since being name-dropped by Blue Oyster Cult all those years ago...

Even so, "Tokyo" is very much a Penny Ikinger record. Gone are the days where she needed to be referenced as "a past member of Wet Taxis" or as "Nico defrosted". As clever as that last marketing line was, Nico ultimately shut out the world. Penny embraces its musical possibilities and has her own distinctive voice.