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ramona

  • grace cummings hero image

    Grace Cummings and Band
    Metro Social Club, Sydney
    Saturday, August 3 2024
    Photos: Sandra Kingston

    Grace Cummings is a once-in-generation Australian artist.

    It is two years since I first caught her at the Great Club in Marrickville in Sydney’s inner-west, with less than a hundred others on a cold Thursday night.

    It was a show by a remarkable artist with swagger and brutally heart wrenching songs that left us in awe.

    Accompanied by a band with attitude, she took her vocals from a whisper to paint-stripping level, leaving the hairs on your arms standing up.   

    Her remarkable album “Storm Queen” has been on my turntable regularly since, but her records don’t fully capture the live experience.

  • hollywood albumHollywood – The Fiction (Off The Hip)

    Much water has passed under the bridge since 1978 when The Fiction was one of a handful of struggling punk rock bands in the womb of a nascent Melbourne underground music scene.

    Like a spark, The Fiction came and went. Some of their songs made it into the setlist of mod-flavoured pop-rockers Little Murders, which has become as much a brand as a band for vocalist-guitarist-songwriter Rob Griffiths, its only constant member.

    Griffiths (vocals) and Rob Wellington (guitar) remain from the original band and although the passage of time may have buffed off the sharper edges, the reconstituted Fiction still trades in high-energy pop punk.

  • ramona the fictionRamona - The Fiction (Off The Hip)

    Simple songs simply done is a time-honoured formula often born out of necessity rather than choice. So it was in the beginning for The Fiction, a Melbourne punk band that sprang up 40 years ago, burned briefly and fell apart before spawning International Exiles and Little Murders. 

    Only around for a year, The Fiction was fuelled by the nascent songwriting talents of frontman and expat Englishman, Rob Griffiths, and guitarist Rob Wellington.

    Their influences were what was coming out of the UK punk scene in the ‘70s, as much as Melbourne visitors Radio Birdman and the Saints. The important point-of-difference between the UK and Australia back then was that the local standard of living made it hard to get too angry at anything much, relatively speaking.