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voodoo rhythm

  • voodoo rhythm logoOn the approach to the world's oddest rock and roll label's 30th anniversary, Voodoo Rhythm Records is marking the milestone with a return to its compilation series. 

    Vol. 5” is the Swiss cult label’s first collection since 2013 ,and will showcase 15 tracks of new and old cuts from a global stable of outlier artists in the punk, garage, one-man band, cumbia, psychedelic, and country folk-trash genres. 

    The bands featured hail from Europe, America, and Japan. They range fromn the amphetamine n' vinyl fetishes of The Devils, the lonesome drifter country-trash ballads of Trixie & The Trainwrecks, the heroin-groove reverb of francophones Destination Lonely, and the dark, rural folk orchestrations of The Dead Brothers. 

    This limited edition  compilation will be an exclusive vinyl release with an animated, live-action illustration by Bucharest-based artist Andy "Sinboy" Luke. You can view Sinboy's portfolio, including his gig posters, animation clips, and graffiti work. “Vol. 5” is out in October and pre-orders are here

  • tumbling heightsWelcome to the crazy world of acid trash/garage punk rock n roll  that’s populated by the wonderful Come ‘n Go.

    They’re busting guitar strings and spitting out no bullshit licks, throwing a bit of Swiss chic punk around like there is no tomorrow. In short, this album is very good.

    It’s on the Voodoo Rhythm label and production is handled by Markus Staehli (Roy and the Devils.) “Tumbling Heights” is the fourth offering from The Come ‘n Go, who formed in Biel/Bienne in Switzerland in 2001. These punks have had some line-up changes over the years, but seem to have settled on Marina (drums and vocals), Philippe (guitars and drums), Franz (guitar), Rob (bass), Alain (vocals, harmonica and keys) and Markus (noise.) Benu guests on guitar on “What It Is”.

  • good morning bluesGood Morning Blues – Roy and the Devil’s Motorcycle (Voodoo Rhythm)
     
    In case you never noticed, this place often celebrates the weird and non-conformist end of the rock and roll spectrum, and it doesn’t come much stranger than Swiss band Roy and the Devil’s Motorcycle.

    Resident on the Voodoo Rhythm label (“Music to Ruin Any Party”) since it first released this, their debut 10-inch mini-album, back in 1996, its mix of bass-less, guitar distort-skronk and megaphonic vocals sounded fucked up then and sounds fucked up today.

    It’s worth adding context: “Good Morning Blues” was unleashed on a world full of techno and the Real Rock and Roll landscape was a wasteland. Major labels still roamed what a musical Jurassic Park, looking for underground bands from which they could extract blood and turn into mainstream melange. A dead dog’s scrotum had more chance of being signed than Roy and the Devil’s Motorcycle.

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