After releasing two digital singles “Drone” and “Tape Hiss”, high-energy collective Cousin Betty release a debut EP, “LEFT” via Golden Robot Records on March 26.

Cousin Betty is the brainchild of Australia’s Damien Stofka a guitarist/songwriter, who has created riffs and written songs for Molten Universe, Death Mattel, LITTER and various other projects for the last 15 years.

The forever prolific Ed Kuepper is celebrating 45 years as a recording artist with three retrospective releases spanning a large chunk of his post-Saints musical output.

“Ed Kuepper - Singles ’86 ‘ ’96” will compile every solo A side from that period on vinyl and CDs, the latter format featuring a bonus disc of B sides and obscurities. Surprisingly, it’s Kuepper’s first collection of 45s and CD singles.

“Golden Days // When Giants Walked the Earth” will be a vinyl collection of Kuepper’s immediate post-Saints band, Laughing Clowns, who pushed the boundaries not just of conventional music but of the post-punk world. The classic “Eternally Yours” is included, as are the equally worthy “Everything That Flies”, “Holy Joe” and more.  

“The Aints! Live at The Bowlo” will be a vinyl version of the 2018 show by Kuepper’s Saints-inspired The Aints! only previously available in digital format.

Another collection of Joe Strummer material hits the market on March 26, this time from major label BMG. “ASSEMBLY” follows 2018’s “Joe Strummer 001” and showcases what the label calls “carefully curated singles, fan favourites, and archival rarities from the Strummer solo catalogue”.

The selection includes “Coma Girl,” “Johnny Appleseed,” and “Yalla Yalla” (with The Mescaleros) to his iconic rendition of Bob Marley’s “Redemption Song” and soundtrack contributions like “Love Kills” (from the 1986 film, “Sid and Nancy”.)

The 16-track compilation features three previously unreleased versions of classic Clash tracks, including the never-before-heard “Junco Partner (Acoustic)” and electrifying live performances of “Rudie Can’t Fail” and “I Fought The Law”, the latter two recorded by Joe Strummer and the Mescaleros at London’s Brixton Academy on November 24, 2001. The collection includes exclusive liner notes by lifelong Strummer fan, Jakob Dylan.

Los Angeles-via-Detroit underground punk legends The Dogs have unleashed a new digital single “Under The Coast” that was co-written with and features fellow rock ‘n’ roller Frank Meyer (The Streetwalkin’ Cheetahs, James Williamson & The Pink Hearts) on guest vocals and guitar.

The socially conscious, topical song is available now through Chicanery Chick Records/Die Laughing Records on all digital formats, and deals with the chaos and dissonance of modern times.

The forthcoming Hard-Ons documentary by "Descent Into The Maelstromn" producer Jonathan Sequeira has qualified for tax-deductible donation status with Film Australia. There are no crowd-sourcing rewards other than enduring gratitude (and maybe a name-drop) but don't let that stop you. You can tell from the trailer that it'sgoing to be great. You can send some cash here and claim it on your tax return if you're Australian.

Back in the ‘90s, Darren Smallman was immersed in the fertile Geelong-Melbourne punk rock scene in Australia as a player, label head and manager. These days, the ex-member of Toad, Warped, Thee Vinyl Creatures, The Wells Collective and The Sound Platform lives in the UK, working in the charity arts sector and producing his own music under the moniker Dez Dare.

Dez Dare and Melt Citizen (El Paso, USA) have unleashed a DIY fuzz EP , "Spl;itz", that they promise will “melt your brains and hearts”. It’s available through Bandcamp with a crowdsourcing campaign underway to get it out on vinyl.

In the pair’s words: “Hidden away in spare rooms and makeshift studios while in very different pockets of the earthly domain, there were two who worshipped at the altar of guitar pedals and heavily discounted recording plugins. This split EP digs deep into the cacophonous divide between reality and the two countries entrenched in denial, grasping to find a way out of the long grass. Back into the light.”