It’s a pairing of the music of two legendary Australian underground legends, the likes of which hasn’t been seen in Sydney in 46 years: Tamam Shud and Buffalo Revisited are playing a double-headliner show at the Bald Faced Stag Hotel in Leichhardt on Friday, September 9.
Regarded as Australia’s true progressive, surf and psychedelic music pioneers, Tamam Shud recently celebrated 45 years with the release of a new album, “Eight Years of Moonlight”.
Buffalo is held in the same high regard and was recently lauded as the Australian “inventors of heavy metal” by UK magazine Classic Rock, which said they’d paved the way for scores of hard rock and stoner acts.
Forming in 1971 and releasing five albums in six years, Buffalo dissolved after making their mark as a live act despite a lack of commecial radio acceptance. They’d left a potent legacy before bass player Peter Wells went on to form Rose Tattoo.
Archetypal bad boys, Buffalo’s early albums “Dead Forever”, “Volcanic Rock” and “Only Want You For Your Body” have been reissued numerous times and original copies change hands for hundreds of dollars in collector circles.
A year ago, following constant approaches from fans, Dave Tice assembled a line-up to re-visit the original band’s legacy. They’ve since played a handful of select gigs, including a 40th birthday celebration for iconic Brisbane radio station 4ZZZ.
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Hard on the heels of an announcement of a visit by The Sonics, '60s British rock legends The Troggs (what’s left of them) finally return to Australia this November to celebrate the 50th anniversary of “Wild Thing” with an extensive tour.
Led by sole founding member Chris Britton (pictured) on guitar (Reg Presley and Ronnie Bond having left the planet), the inspirational source of songs like “Wild Thing”, “With a Girl Like You”, “I Can’t Control Myself” and “Love is All Around” will play 13 shows across four states in November.
The line-up includes bassist Peter Lucas (who has been with the band for 40 years) and drummer Dave Maggs, who has clocked up a quarter of a century.
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Sydney fans of Portland’s mighty The Sonics take note: The previously scheduled performance date of Sunday October 2 at The Manning Bar has now been brought forward to Friday, September 30. Support acts (The Crusaders and The Pink Fits) remain the same and all tickets purchased remain valid for the new date.
Unfortunately, Newcastle has been lost in the shuffle with all tickets purchased to be refunded at the point of sale.
In related news, all supports are now locked in. Check the dates below for the added goodness at your chosen show:
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One of Australia's most soulful rock and roll bands, Leadfinger, is unleashing its new album “Friday Night Heroes”. The Sydney leg of the launch tour is at The Factory Floor in Marrickville on July 15...which, fittingly, is a Friday night.
Leadfinger's fifth album was recorded in mid to late 2015 at Sydney’s Linear Recording with Wade Keighran (Wolf & Cub, Steve Smyth Band) behind the controls. It is out now on vinyl, CD and digital through Conquest of Noise Records.
Supports for the Sydney launch will be Melbourne band Powerline Sneakers making their first trip to the Harbour City and Newcastle’s Rangers of the Universe.
Powerline Sneakers feature Sly Faulkner (Splatterheads) on vocals and John Nolan (ex-Powder Monkeys) on guitar, Katie Dixon (ex-Ripe) and Mark Hurst (Guttersnipes/Yes Men) on drums.
Rangers of the Universe is a new band featuring Scott Nash (ex Asteroid B-612/Carrie Phillis & the Downtown 3) and Jason Maljers (ex-Jim Cobain) on guitar.
Tickets can be procured here.
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It might just be the ultimate baby boomer pop experience. The rumours are true. The Monkees are bringing their 50th anniversary tour to Australasia.
Assembled in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the television series The Monkees, the quartet of Micky Dolenz, Michael Nesmith, Peter Tork, and the late Davy Jones brought a singular mix of pop, rock, psychedelica, Broadway, and country to their music.
The show itself paid tribute not only to The Beatles, but also to the comedy stylings of The Marx Brothers and Laurel and Hardy as well as the pop-art sensibilities of Warhol and the emerging San Francisco psychedelic scene.
The Monkees’ first single, “Last Train to Clarksville,” was released in August 1966, hitting #1 and serving as advance publicity for their series, which debuted on September 12. When the group’s self-titled debut album arrived in stores a month later, it quickly headed for the top spot of the Billboard charts, where it would ultimately sit for 13 of the 78 weeks it remained in the Top 200.
By the time the group’s TV series aired its final new episode on March 25, 1968, The Monkees had seen three further albums top the charts – “More of the Monkees”, “Headquarters”, and “Pisces, Aquarius, Capricorn & Jones, Ltd.”, all released in 1967.
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Garage-punk pioneers and stand out performers at 2012’s inaugural Dig It Up! Invitational in Australia, The Sonics, return Down Under this September-October at the invite of Wollongong’s Yours & Owls Festival and for headline shows around the country.
The Sonics laid down the blueprint for garage-rock back in 1963 with the release of their first single The Witch. They followed that up with even up with even more grease and oil soaked nuggets in “Psycho”, “Boss Hoss”, “Cinderella”, “Strychnine”, “He’s Waitin’”, “Shot Down” and “Have Love Will Travel” before calling it quits in 1968. Reuniting briefly in 1972 and again in 1980, The Sonics then took permanent leave while the rest of the world caught up with them.
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New York City-based band Phantom Fifth (pictured right) has announced that Chris “Klondike” Masuak will be joining them for shows in California and New York in July.
Phantom Fifth is from New York City and is comprised of expatriate Australian bassist Greg Delves (ex-Inner Sleeves, Radio Luxembourg), Irishman Colin McCarthy (drums) and US-born Paul Stinson (guitar, vocals.)
Formed in 2015, the band bio says it "embraces the sonic sound and dark energy of Nick Cave, Joy Division, The Strokes and The Stooges. The Phantoms' sound is built around dark melodies, shimmering guitars, and propulsive bass lines, with lyrics about wolves, ghosts, murderous paramours, Italian discos, and other manifestations of love and madness".
Originally from California, where he co-founded the "punk Americana" band The Stripminers with members of X and The Donnas, Paul Stinson moved to Brooklyn in 2014 and quickly met up with power pop guru Delves and McCarthy (formerly of Amsterdam-based Belsonic Sound).
The trio immediately began writing, recording and performing in and around NYC and have plans in the works for tours of both the UK and Australia. The band's debut EP is due out in the US Summer of 2016.
July 20 – Brick & Mortar Music Hall, San Francisco, CA
July 22 – The Uptown Nightclub, Oakland, CA
July 24 – The Viper Room, Hollywood, CA
July 29 – The Bowery Electric, NYC
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Ed Kuepper returns with part 2 of his "Lost Cities" album Australian tour, performing solo and in duo mode across select dates in Darwin, Newcastle, Sydney, Katoomba and Melbourne.
The duo shows see Kuepper reunite with his old sparring partner Mark Dawson – a collaborator most notably on the celebrated “Today Wonder” and ARIA winning “Honey Steels Gold” albums – between them featuring two of Ed’s most recognisable tracks in “Everything I’ve Got” and “The Way I Made You Feel”. Mark will join Ed for shows in Sydney, Melbourne and Belgrave.
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Expatriate Americans living in Shanghai in China, Round Eye have unleashed a video to accompany their song “Billy” which is a stringing critique on the state of politics back home.
Round Eye recently signed to the Canadian label Sudden Death Records (owned by DOA’s Joey Shithead) and collaborated with the late Stooges sax man Steve Mackay on an eponymous record "Round Eye" last year which you can hear and download via theiur Bandcamp (link below).
“We've lived here for 6 years but have never neglected the issues of home,” explains singer Chachy. “This video is our open letter to the United States. We really put a lot of work into this to ensure the message is very loud and very clear.”
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