Cadallac Man – Kevin K (Vicious Kitten Records)

Around these parts, Kevin K records are like a comfortable pair of slippers: You slide in and feel at home with his slashing or chugging guitar and mewling vocal drawl. This record is sized extra-large with 26 songs putting it in the realm of what used to be called a double album.

For the uninitiated (and shamefully there still are some), Kevin K is a Buffalo, New York State raised, New York City-tempered veteran of the Lower East Side-CBGB scene, who remains musically true to that long-gone playground. This is his 33rd album of gritty, street-level rock and roll, and it’s more of the same.

Sonics in the Soul - Buzzcocks (Cherry Red)

I'm gonna be as objective as I can. I loved the Buzzcocks. I mean, I'm not alone. Everyone loved them, didn't they?

Okay. I came in at the beginning, heard their journey, was delighted by their first two LPs, their singles, then ... that third LP which initially bewildered me, but I grew to love better than the other two. Except, of course, the compilation, “Singles Going Steady”. 

Then, 42 years ago and five years after it all started (particularly with the “Spiral Scratch” EP, which unleashed the DIY independent music scene in the UK), came those three singles which sort of worked, but didn't quite. Something had changed. Because, you know, change happens.

Caveat Emptor - Slug (self released)

Caution: this outfit ain't for the wispy.

I confess I was a bit late coming to “Caveat Emptor” - it's been in my to-do puddle for a few months, so I must apologise. If you wanted a vinyl record, too late, they sold out.

That said, there are four extra songs on the CD and they still have a few of those left.

Now, if these 14 ground-out hunks of dripping beef aren't your idea of rock'n'roll, I can sympathise.

We Got A Right – The Golden Rat (Vicious Kitten Records)

What do you get when expat bi-coastal American underground star Mr Ratboy collides with Hiroshi The Golden Arm (aka Japan’s Johnny Thunders) in a Tokyo garage, each armed with the songs that pre-occupied their formative musical minds in the period spanning 1976-82? An absolutely killer album.

“We Got A Right” is a record that came about through necessity. Hiroshi The Golden Arm and Mr Ratboy first met in 1993 when the latter was a member of Jeff Dahl’s touring band. Fast forward a few years and Mr Ratboy is a resident of the Land of the Rising Sun and the pair strike up a musical partnership in the electro-trash outfit Ace Killers Union. 

Le Cape Noir – The Ramalamas (Half a Cow)

This soundtrack to an imaginary ‘60s cult movie, or so the shtick goes, is really a collection of intriguing garage-swamp pop outbursts by enduring but low-key Sydney band. It’s the fifth long-player by The Ramalamas and their first on vinyl.

“Le Cape Noir” is a celebration of ADHD. It swings from surf-tinged rockers to garage pop and back to spy movie instrumental in the space of a few tracks. Its 16 (yes, 16!) songs are broken up by snatches of spoken word faux movie dialogue.

Sit back and let it wash over and you could be sitting in the Valhalla Cinema at Glebe watching a cult film, and ending the night  stumbling out of the Sydney Trade Union Club at 4am.

Psycho-Acoustic Processor – Shark Arm (self released)

Don't argue, just get it, and make sure you catch them live.

The Iowa brothers make enough bloody racket for eight men. Even though you'd swear they were a four-piece on first listen. Bass, drums, vocals, guitar.

Three of these are played by Nathan Iowa, while Damian pounds the hapless skins. Their songs are a rumbling chaos shot through with ordered lightning and purple viscera.