This could alternately be known as “Touch Me, I’m Sick.” And I do mean sick.
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- By Clark Paull
- Hits: 4868
Let's not understate the awesomeness of this package, which is a leap forward from its predecessor in both desirability and sonic quality of the shows therein. While the first volume gathered some higher quality versions of existing bootlegs as well as material from an offbeat period (the time of the "Party" album), this one goes for the throat.
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- By The Barman
- Hits: 5044
At this stage of his storied life he’s probably entitled to put out any damn thing he likes, but that doesn’t mean glued-on Stooges fans have to buy it. In fact why “Preliminaires” is billed as an Iggy record is beyond me. It should have come out under Jim Osterberg’s name.
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- By The Barman
- Hits: 4883
His studio recordings are up and down like a hypoglycaemic's sugar levels but the one place Iggy Pop delivers the goods consistently is the stage. This 1979 taped-for-radio recording from San Francisco in 1979 finds the Pop at the very top of his game with a killer band in attendance.
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- By The Barman
- Hits: 5892
Rhetorical question: Why? Answer: Because he can.
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- By The Barman
- Hits: 5099
The first record I ever reviewed was "Kill City". That was back in 1977 for Self Abuse fanzine. I wish I had a copy of the article so I could compare how I felt then and how I feel now. I wrote that review because everyone I knew was slagging this off at the time. West Coast bland was the popular consensus. I didn’t agree and I wanted it down for the record.
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- By Bob Short
- Hits: 13775
Accuse me of revisionism if you will...but when I caught Mad for the Racket live at SXSW, I was less than optimally stoked with their performance. Coupla months later, in a column, I was making more conciliatory noises.
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- By The Barman
- Hits: 6741
It is actually quite hard to review the work of someone you know and I tend to avoid it wherever possible.
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- By Bob Short
- Hits: 5738
Out of print for two years? Shit, hard to believe, but it's good to have this one back in circulation (on Bro. Wayne's new label, with expanded versions of the rest of his Epitaph catalog and even the L-O-N-G gone "Death Tongue" set to follow in its wake - a reissue program long anticipated by true Rock Action devotees, especially those who missed out on 'em the first time). This was, after all, the one that started it all, solo-career wise, as well as serving notice to the world at large that Detroit rock'n'roll was alive and well in the '90s.
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- By Ken Shimamoto
- Hits: 5922
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Behind the fridge
Artifacts and reviews from days gone by.
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