Here’s an album that starts relatively sedately, grows a brass section and descends into off-kilter garage rock hell. If that sounds like a dissing, think again.
The Revellions are from Dublin in Ireland and have made a nine-song album of two distinct halves. The first recalls, at times, Boston institution The Lyres with its strong reliance on surging organ and wailing vocals, while the second goes to that noisy and mind-altered place where the Black Lips and The Oh-Sees reside. Soulful versus Trippy. Both bases covered.
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He writes songs in his sleep and records them before breakfast so assembling an album while on a two-year hiatus, back in his birthplace Australia, is no big deal for Simon Chainsaw, the Brazil-based power-punk road warrior. “Don’t Kill Rock ’n’ Roll” finds him in familiar surroundings, matching pop melodies with razor riffs in much the same way his Vanilla Chainsaws did 20-plus years ago.
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The Prehistorics are from Sydney, Australia - a much different one to the musical ghost-town of today. They’re firmly ensconced in the Sydney of 1985 when there was a band in a pub on every second street corner, blasting out high-energy rock and roll. This is their third album and it’s on a French label.
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Radio Moscow’s “thing” is pretty easy to get your head around: Meandering but economical psychedelic guitar jams wrapped around bluesy vocals. Loud and comparatively clean with a dash of funk in the bottom end.
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"I hallucinate music. I believe a lot of people do. And it's not always pleasant. I was struck by lightning when I was 15. True story. To this day I play in electrical storms. I figure I'm safe now." - Mike Pitts
These LPs form a trilogy by Portland, Oregon, musician Mike Pitts and his band, Neptune Skyline. Any and each are excellent. You'll recognise much within these songs, but you'll never be able to pin the origin down.
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This is the second retrospective package but the first well-rounded “best of” for the late (1994-2012) but great Swedish psych-rock-pop conglomerate. While the 2 CD “A Present From The Past” focused on outtakes and rare gems, “Golden Greats” is a single disc that’s largely what it says on the package.
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When Big Black toured UK in 1987, playing their last gig in Europe, they had a few members of Wire come up on stage. Afterwards, having played with his heroes, Steve Albini commented: "Tonight we’ve walked with giants."
Wire are giants in a world of pygmy bands. Chrome are legends among giants.
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Infinity Broke is the new vehicle for Sydney’s Jamie Hutchings and Jared Harrison, post the dissolution of Bluebottle Kiss. They were longtime acerbic indie fixtures on the Australian scene before Hutchings decided to go solo so the air is misty with expectation.
The first thing to say is that the self-released “River Mirrors” sounds superb. It was recorded in a shearing shed on a sheep property with a live ambience and stark glow.
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The debut album “Party Girl” made it blatantly apparent that London soul-rockers The Dustaphonics had it all over their competition on a couple of fronts. Not only did they have a killer vocalist in San Franciscan expat Kay Elizabeth but a consummate engine room to drive the songs. Album Number Two finds them with a new singer and an interchangeable rhythm section.
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More Articles …
- Deux – Hell City Glamours (self released)
- Runaways - Kim Salmon and Spencer P. Jones (Incubator Recording)
- Do the Crawl - Rocket to Memphis (Off the Hip)
- The Out Of This World Sounds Of - Hipbone Slim And The Kneetremblers (Beast Records)
- Get Your Rabbit's Foot And Run - One Thousand Years (Off The Hip)
- Don’t Fade Away - Andy Shernoff (self released)
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Artifacts and reviews from days gone by.
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