EAGULLS - “Ullages” LP (Partisan Records) 
Second album from these lads from Leeds. It’s bleak, it’s dark but you would expect that from a Leeds band. 
Think – The Cure, Cocteau Twins

THE GOON SAX - “Up To Anything” LP (Chapter Music) 
Brisbane kids. Pop music played as it should be. A familiar last name amongst the members. The apple doesn’t fall far from the tree. 
Think – The Go-Betweens, Beat Happening

DAVID BOWIE - “Black Star” LP (Columbia Records) 
The artist of our generation? I’d say so. He changed my perspective of music when I was young. His finest work since the 70’s. Respect.
Think – David Bowie

2016 was a great year for new music in my view, from both new and established acts. I found it pretty difficult to whittle the list down to ten, but here goes.

1. deux furieuses - "Tracks of Wire"
In a year dominated by abject misogyny and the rapid rise of idiocracy in the western world, Ros Cairney and Vas Antoniadou kicked against the pricks with a masterful collision of tribal drums, brutal guitar and razor-sharp feminist/humanist critique. The true heirs of Patti Smith's mantle.

2. Iggy Pop - "Post Pop Depression"
Jim Osterberg and his notorious alter-ego finally coalesced on a brave, compelling album that sought resolution of the key themes of his life's work.

3. Ela Orleans- Circles of Upper and Lower Helll.
Dark, trippy and completely absorbing, an album that mirrored the free-fall disorientation of 2016.

4. David Bowie- "Blackstar" 
You know about this one. A class act, to the end.

In no particular order...

Garry Gray & The Sixth Circle:
The former Sacred Cowboys frontman's "Diamond in the Forehead" was one of the stand out albums of the year. Great songs, big unhinged guitars, fantastic vocals and solid rhythm section behind it. You could be forgiven for thinking that their show at the Factory Floor would be sell out, but no. Barely 50 people witnessed one of the gigs of the year. Supports Leadfinger were fabulous (they always are) and the Chickenstones put on the best show I've seen from them.

Leadfinger’s "Friday Night Heroes":
Stew and the boys were back with their fifth and best to date album in "Friday Night Heroes". Great songs for grown ups, plus two excellent guitarists and a top notch rhythm section. The album was backed up with some fantastic shows. Probably Sydney's best rock band at the moment and it makes me wonder what things would have been like in another era when people actually bought and went out to see this stuff. One of the albums of the year.

Jim Dickson’s "Coelum Verses":
The year's most unexpected debut? Yep. This is not what I would have expected from the New Christs and Birdman bassist. It took a few listens before I really got into and then the penny dropped – one man's journey through a life of listening to and playing music. Anyone who's had a beer with Jim knows that he has an encyclopaedic knowledge of music and is a hell of a nice guy too. After each listen, this record was becoming less surprising and more enjoyable. Great songs, great band, great production. Can we have a live show please Jim?

Iggy Pop’s "Post Pop Depression":
Over the last 25 years or so, Iggy's records have been patchy at best. This one was recorded with a small band with production responsibilities handed over to Josh Homme. Stripped back, tight and brooding, it looks backwards and forwards. It's the sum of where he's been and may be where he intends to go. For mine, his best since the Berlin albums he did with Bowie. Compelling. Iggy's not done yet.

1) Died Pretty at Factory Theatre, Sydney
Astounding, amazing, Ron Peno sounding great and enjoying himself. What am I saying? The whole band sounded great.

2) Died Pretty at Factory Theatre for Spencer Jones Benefit
Not content with being brilliant just once, they came back and proved it wasn’t a fluke, a pretty (!) tough trick, given the more relaxed vibe of the evening and the fact they were playing a short set.

3) Los Chicos - Marrickville Bowling Club
I’d never seen nor heard them but trusted the raves of folks with good taste and went along! What a night! So much fun. Notable Celibate/New Christ/Leadfinger/Birdman guests joining in all star renditions of MC5 and Flamin’ Groovies classics..let alone the quality of the originals.

There is a school of thought that suggests great art is the product of suffering. 2016 has largely put paid to that notion.

I mean, this year should have positively dripped genius. I couldn't come up with a full ten. Here's my Top Six.

1. FRIDAY NIGHT HEROES - LEADFINGER LAUNCH AT THE FACTORY FLOOR, SYDNEY 
Wollongong’s finest, led by Stew Cunningham, blitzed the Factory Floor in Sydney launching their album "Friday Night Heroes", my favourite Australian release of the year. Dillon Hicks, Reggie Screen and Mick Boyle certainly brought their A game in front of an augmented line-up that included Carrie Phiilis on BVs, Doug Hazell on sax and Andy Newman on keys. I could have sworn it was the E Street Band at one stage. Extra points for covering Warren Zevon’s “Lawyers, Guns and Money”.

Some damn fool asked me for a list of my top ten favourite CDs this year.

Well, no. I don’t have enough time, frankly, to listen to everything wonderful which deserves to be listened to over and over again, and I think that putting down a list, implying that what isn’t on there is somehow beneath my interest, would be bollocks.

So here’s a list - in a random order - of music which I’ve been listening to a lot this year:

Celibate Rifles singer Damien Lovelock once said to me that the Sydney music scene between 1978 and 1985 was as strong as anywhere in world, at any time.

When a city’s musically on fire, it becomes the rock capital of the world…especially for the people that live there. It could been New York City in the mid-’70s, London in 1966 or San Francisco in the late ’60s. Sydney was right up there with them.

I remember I was out seeing bands every night of week. It could be every Wednesday with the Triffids’ residency at the Strawberry Hills Hotel, upstairs at the Trade Union Club for the Laughing Clowns, or some punk band down at French’s Tavern. You could finish with Paris Green at 3am in Kings Cross.

There were so many gigs that stood out: the Birthday Party, Scientists and X at the University of NSW Roundhouse, the amazing New Year’s Eve gig with the Celibate Rifles at the Trade Union…and The Gun Club at the Southern Cross, later re-named the Strawberry Hills Hotel.

The Strawberry Hills Hotel in Surry Hills was OUR pub. We were still aged in our late teens and we virtually lived there. There was cheap (or feree) beer and amazing music every night of week. I actually lived in a cheap shared house, a few blocks down the road.

One night in 1983, the publican told me to turn up on Monday. He said that “a Yankee band, The Gun Club, are playing.”

As fans around Australia rejoice at the news of AC/DC's upcoming national stadium tour this November and December it's worth reflecting on how rough, but yet ultimately triumphant, the past 12 months have been for the band. 

Almost exactly a year ago whilst working a camera shift for the ABC's 7.30 programme I had the enviable task of working on a story about AC/DC: one of my all-time favourite rock bands. But the feeling was bittersweet: troubling rumours were swirling around about the band's rhythm guitarist and unofficial leader Malcolm Young, elder brother of the more recognisable schoolboy uniform-sporting lead guitarist Angus.

The word was he was suffering from an undisclosed debilitating sickness, rendering him permanently unable to play guitar and therefore leaving the band's plans for a 40th anniversary tour and new album in ruins. The band was to call it a day. Such an integral piece of Australian cultural history: no more?! The 'other greatest rock 'n' roll band in the world' (next to the The Rolling Stones): done and dusted?