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john dwyer

  • osees metro2

    Osees
    + R.M.F.C.
    The Metro Theatre, Sydney
    15 February 2023
    Photos
    - Vic Zubakin / Look Sharp Photography


    Osees have been landing on Australian shores for more than a decade and consistently leaving an impression as a “must see” band.  Over the years, I have been in conversationswith people who have raved about the powerful live experience, the guitar sound and the energy.

    When I heard claims they were “one of the best live rock bands in the world” I was always dubious. Let’s face it: rock roll can be about hype and creating a myth.  Finally, I had an opportunity to witness what all the talk has been about.  

    Band leader John Dwyer is someone who anyone making independent original music should greatly admire.   Over 26 years, there are 33 albums he has produced, or played on. Dwyer is the last of a breed: the rock ‘n’ roll outlaw and fringe dweller completely living the music.

    In the last decade, with intense work, he has made a real impact, supporting his music with shit jobs like stacking shelves, with one focus:  Running his own label, creating art, playing in a band and driving his part of a cottage industry.

  • osees live

    Osees
    Croxton Hotel, Thornbuy, VIV
    Saturday, February 11 2023

    My employer received some correspondence recently from a "sovereign citizen". It was, as so often the case with such sincerely composed missives, a rambling diatribe replete with muddled pseudo-jurisprudence  and wilful indifference to the symbiotic relationship between individual autonomy and collective responsibility.

    We searched in vain for some discipline of reason, even a vague hint of cogent argument but, alas, there was only nonsensical assertion. It was, someone remarked, the discursive equivalent of a sugar-laden teenager playing free-form jazz on a cheap recorder over a concerto piece played on a defective turntable and then labelling it a work of artistic genius.

    Later that night we went to the cinema to see “Tar”. Before Cate Blanchett’s titular character falls from grace, she explains the often mysterious movements of the orchestral conductor. Crudely, one hand represents timing and tempo, the other conveys the desired shape of the music.

    Which brings us to Osees.