mark roxburgh

_{Joeys Coop.}

JOEYS COOP
+ THE SMART FOLK
MoshPit, St Peters, NSW
Saturday 26 March, 2022

A Sydney night of intermittent rain stifles the post-COVID nightlife revival. Or so it seems. The Best Little Small Bar in Sydney, The MoshPit, has other ideas - and so do Joeys Coopand supports The Smart Folk.

It almost goes without saying that pandemic lockdowns have put obstacles in the way of everything. Joeys Coop put the release of their second album on ice and tonight is the Sydney leg of a much-delayed world (read: New South Wales) tour to launch “Lachlan Valley Dirt” at The MoshPit in Sydney’s inner-west.

The impacts of the dirty little virus live on. A whole bunch of MoshPit patrons who were at the King Street Crawl gigs a fortnight before were taken down by it. An unrelated infection forced The Smart Folk to play the Sydney Rock ‘n’ Roll & Alternative’s Sixities Stage without bass-player Keith Claringbold.

Tonight’s news is that another wave of COVID infections and the seven-day isolation rule has shut down a two-band bill at the nearby Golden Barley Hotel. A few punters and unaffected band members make their way to this show.

_{Emmy Etie photo.}

It will be an all-supergroup affair when the eminently well-credentialed Joeys Coop (pictured) launch their debut album in Sydney on April 8 with help from an all-star supporting cast.

The On and Ons (featuring ex-Hoodoo Gurus, Screaming Tribesmen, Kings of the Sun and Stems members) and Cub Calloway and The Revolutionaries (featuring ex-New Christs, Saints and Died Pretty members) will join them at The Factory Floor in Marrickville.

“Service Station Flowers” is the forthcoming album on CD on the Citadellabel.

Joeys Coop was formed by Mark Roxburgh (ex-Decline of the Reptiles) who co-wrote the album with bandmate and Died Pretty guitarist Brett Myers. It will be the first record with Myers credits in almost 10 years and the band includes past and present members of The Barbarellas, The Visitors, Deniz Tek Group and Loose Pills. You can score tickets here. 

Sydney underground rock’s best kept secret, Joeys Coop, brings up its 10^th anniversary with a special show at Camelot Lounge in Marrickville at Saturday May 4.

Fronted by dapper Mark Roxburgh (ex-Decline of The Reptiles) and with a sound shaped by the distinctive guitar stylings of ex-Died Pretty guitarist Brett Myers, the gig follows a five-month absence from the stage.

Joeys Coop promises special guests, a giveaway release of previously unreleased material and (maybe) balloons and party hats. Tickets are available here.

Seasoned Sydney-via-Newcastle outfit Joeys Coop are prepping to release their sophomore album, “Lachlan Valley Dirt”, and the first video single, “I Am Alive”, has been unveiled.

Featuring the songwriting talents and playing of Brett Myers (Died Pretty) and Mark Roxburgh (Decline of the Reptiles), the line-up is rounded out by ace bass wrangler Marc Lynch (from 90s JJJ faves Glide) and Lloyd Gyi (drummer for Perry Keyes and Dave Warner). "Lachlan Valley Dirt" is out on February 26 and is the follow-up to "Service Station Flowers". 

Joeys Coop will be playing dates to support the album:

Link and Pin, Woy Woy - Fri March 4
Moshpit, Newtown -  Sat Mar 26
Federal Hotel, Bellingen - Sat April 2
Cave Inn, Brisbane-  Sat April 30
Hamilton Station Hotel, Newcastle - Sun May 8
Flow Bar, Old Bar - Sun May 22

"In The Flesh" with
Joeys Coop
+ Paul Berwick
The MoshPit, St Peters, NSW
October 11, 2020

I attended a very special show from the delightful Joeys Coop. Must have been something in the stars or numbers - as on 10/10/20 we were part of something special. In these Covid days where we have been starved of live music, the hip MoshPit played host to 20 fans and close associates of the band AND it was live-streamed by Zenn Stream.

I felt hugely privileged being there and in the company of my music bestie after a wonderful Greek taverna feed nearby, and felt obligated to share my thoughts.

For those who need an intro, JC is a supergroup of sorts with the critically acclaimed Brett Myers (Died Pretty) on guitar, Mark Roxburgh (Decline of The Reptiles/ME262) on lead vocals, the engine room of Lloyd Gyi on percussion/vocals (Perry Keyes/ Sicarios et al) and Marc Lynch (Glide), they are a tight and sophisticated outfit who play smart Rock from the heart.

Most serious musicians would have an aneurysm if someone wanted to release recordings from their callow youth. They’ll tell you they’ve been hidden in a sock drawer for 40 years for good reason, and that demo recordings are just that. 

Of course, people with OCD, completists and the truly curious and/or obsessed - and any or all of these descriptors could apply to most of us - vehemently disagree. This release from the amazing Buttercup Records label in Melbourne satisfies our shared jones. 

Lachlan Valley Dirt  – Joeys Coop (Citadel)

Following John Ventura’s pre-release review of the album that appears below is almost redundant, but let’s have a shot now that the record has undergone repeated listening.

It would be lazy to say that if you grew up with the underground sounds of Australia in the 1980s then you need “Lachlan Valley Dirt”. Of course you do -  but the appeal deserves to be much broader.

This is a world-class “grown up rock” record – and that label is both a term of endearment and a reflection on the absolute dross that passes for most popular music these days.

It’s tempting to do as the marketing does and label Joeys Coop’s “Service Station Flowers” as an outlet for Died Pretty guitarist Brett Myers. His distinctive sound is all over this album, like sunscreen and a rash-shirt on a redhead in summer, but this really is a record that’s more than just a billboard with all-star billing for one.

Singer Mark Roxburgh conceived Joeys Coop a couple of years ago, after the implosion of the reformed Decline of the Reptiles, and his vision was simple: He wanted to play with people whose work he’d long admired and to find an outlet for his own songs (something that Decline clearly was not.)

10. Fifteen blokes of a certain age in a dodgy bar somewhere.
In the latter part of 2022 I quipped on FB that our (Joeys Coop) lot in life appeared to be to play to the same 15 blokes of a certain age in a dodgy bar somewhere. I got a bit of feedback from some of my musician age peers that I’d pretty well hit the nail on the head.

Now my quip might sound like a bitch about bands with a collective history, but no heritage, not being able to get a decent gig – and to be fair in part it is – but in truth it was also a celebration of the fact that after 40 odd years of playing we could still get a gig in a dodgy bar (my favourite kind) somewhere and we could rely on 15 blokes of a certain age to turn up to support us. That sure beats the fuck out of playing golf, going to fancy restaurants with pretentious retired couples, playing bridge, accompanying the better half to a musical, or other age-appropriate activities.

So, to Keith, Graham, John, Ian, Murray, John, Kev, Dan, Tony, Chris, Ben, Jeather, Henny, Sue, Diane, Adriene - OK that is 16 and some of them are gals of a certain age but you get the idea – we and every other band of a certain age thank you for joining us in not acting our age. We love youse all. You make it all worthwhile.

_{Mark Roxburgh fronting Joeys Coop. Murray Bennett photo}

In no particular order a bunch of music and music related things that have grabbed my attention. Some of it is shit and some of it I’m ambivalent about but all of it has fed my passion for music.

A.I. and music @ Skynet
I was researching AI and design about five years ago and saw that much of what designers did would soon disappear and design would split into two camps – bespoke design “crafted” by people or mass-produced design generated using AI via the prompts written by people. I suspect music will follow a similar path. 

People will still write and play songs the old fashion way and it will probably be a bit of a niche / bespoke activity. A lot of mediocre mass-produced music will be generated using AI via the prompts written by people. We’ll probably hear more of it in things like corporate videos or ad jingles and the ubiquitous Tik Tok videos to begin with but I suspect it will eventually dominate the popular music landscape. The precursor to this is of course sampling. 

The advent of sampling has led to a huge growth in genres of music that is not written so much as it is cut and pasted together. Honing one’s prompt craft to get a song out of AI is the next logical step. The soundtrack of Skynet. Meantime I’ll still write and sing songs no one will listen to apart from 15 blokes of a certain age in a dodgy bar somewhere.