Listen to "Miracle of Sin" from Powerline Sneakers
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- By The Barman
- Hits: 4734
Here’s your first taste of the looming release by Melbourne’s Powerline Sneakers, whose album will be out early this year on Kasumen Records.
The band features ex Powdermonkeys guitarist John Nolan, with Sly Faulkner (guitar-vocals), Katie Dixon (bass, ex-Ripe) and Mark Hurst (drums, Gutternsipes.) Powerline Sneakers recorded their album with Paul Maybury (Rocket Science) and mastered it with Mikey Young (Eddy Current Suppression Ring). More news as it comes to hand.
Shy Impostors open the vault to celebrate reunion show
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- By The Barman
- Hits: 4393
A slew of previously unheard tracks from short-burning but bright Sydney band Shy Impostors is about to be released on Citadel Records, to coincide with the band playing a one-off reunion in support of the Sunnyboys’ Sydney show on February 4.You can pre-order your copy here.
Shy Impostors were active in 1979-80 and their ranks included future Sunnyboys Richard Burgman and Peter Oxley. Fronted by singer-songwriter Penny Ward and also featuring drummer Michael Charles (Lipstick Killers, Screaming Tribesmen, Mick Medew & The Mesmerisers), they played infectious, raucous and melodic pop music.
In February of 1980 the band recorded seven songs at Palm Studios, Sydney. Two of these tracks, “At The Barrier” b/w “Seein' Double”, were posthumously released late in 1980 on Sydney's Phantom label. The other five languished in the vaults.
During 2016 all seven tracks were restored from original master tapes and mixed by producer Jason Blackwell. The resulting self-titled CD is a long overdue retrospective giving yet another intriguing insight into the formative years of Sydney's post Radio Birdman indie music explosion.
Tracklisting:
Captain Fast (P Ward) (3:08 m:s)
At The Barrier (P Ward) (2:57 m:s)
When Night Comes In (P Ward) (3:22 m:s)
Sweet Defender (P Ward) (1:55 m:s)
My Sin Is My Pride (The Astronauts) (2:32 m:s)
She Can't Win (P Ward) (2:31 m:s)
Seein' Double (P Ward/M Charles) (3:32 m:s)
It's Just That They've Missed You: Julie Mostyn on the return of the Flaming Hands
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- By The Barman
- Hits: 9974
Jeff Sullivan and Julie Mostyn. Steve Teece photo
The dictionary defines serendipity as “a pleasant surprise” and it's a term that scientists working in medical research are fond of using. It’s also at the heart of how the looming reformation of beloved Sydney band the Flaming Hands came about.
Singer Julie Mostyn is on the phone from the Coffs Harbour home she shares with husband Warwick Gilbert, onetime bassist and graphic artist for Radio Birdman. She clearly remembers serendipity’s intervention on that very same landline, late in 2016.
“It was one of those life-changing phone calls…one that shocks you out of something you’ve been trying to get out of for a while,” she recalls.
“It was a call from Peter Oxley of the Sunnyboys, and he said: ‘Would you consider reforming the Flaming Hands?’ And I thought for half a second and said: ‘Yeah, that’d be good’.”
Talk about timing. It was as good as any excuse for Julie to ditch her day job in a local bank and embark on what's not so much a career revival as a chance to revisit great times, renew old partnerships and - maybe - push the musical boat out just a little further.
More on that last point later. More immediately, it means Flaming Hands supporting the Sunnyboys at the Sydney show of their February Australian tour, with similarly reformed friends, Shy Impostors, opening the gig.
Flaming Hands were Sydney’s best soul and psych pop band, a potent and popular outfit based around Julie Mostyn’s passionate voice and guitarist Jeff Sullivan’s emotion-baring songs.
The Prehistorics, The Stukas & The Dunhill Blues live in Sydney
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- By Keith Claringbold
- Hits: 3809
It's Saturday night in Marrickville and the outside space at The Factory is packed with folks in black but most of them are going upstairs to the Theatre to see some punk/hardcore.
The slightly older folk are here for three bands at the Factory Floor.
First up, The Dunhill Blues. Now, "The Dunnies" have always come across as being semi-shambolic, more about fun than artistry but of course they then turn around and whack out great songs that are short and to the point. This is my first time seeing them with “the new guy” on guitar who has replaced Jeff Pope.
Now, to expect him to pick up all of Jeff’s sonic sounds and not have any input of his own is unfair but to my ears, they seem to have a lost a bit of variety in their sound with Jeff’s departure
To be fair, he was done no favours by a mix that was too loud overal l- more about that later - yet curiously he was hard to hear during his solos.
Don’t get me wrong, they were still fun and enjoyable but just a bit off form compared to the other times I’ve seen them. Nice to see Jeff get up and join them for their last number.
The Stukas (pictured right) are a band I didn’t get around to seeing in the olden daze. I used to see their name on handbills etc and thought they were another Detroit-y band of the ME262/Trans Love Energies type.
The Velvet Underground. Complete Released Works. Part Two
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- By Robert Brokenmouth
- Hits: 6327
So, let’s assume that you enjoyed the plunge into the Matrix, and are curious to hear more.
This will of course, naturally lead you to their fourth, and last, studio album, "Loaded"; the Super Deluxe six disc box set is "Re-Loaded", the two disc set from 1997 is "Fully Loaded".
Now, "Loaded" itself is an excellent, heavily industry-influenced, subtly smart pop album. But, after coming from "The Matrix Tapes", you’ll feel that this album is a little too shiny, starchy and … just doesn’t quite have the juice.
I remember first hearing this LP after having thirsted through their first three records and wondering, ‘What the fuck happened to this band?’, then discovering that Mo Tucker wasn’t on drums for these sessions, that Doug Yule sings on four songs, and that Lou walked away as soon as recording was complete. David Fricke’s article on "Loaded" in the December 2015 issue of Mojo provides excellent background to what is a not-fully Velvet Underground record.
The Velvet Underground. Complete Released Works. Part One
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- By Robert Brokenmouth
- Hits: 9337
Been thinking about death a lot lately. And, imminence.
Lou Reed’s death, Bowie’s, Cohen’s … they didn’t affect me a whole lot. I was more upset when Alan Vega went, but also, Victoria Wood and Benny Hill - somehow I just figured they’d go on forever, like Cab Calloway or Ken Dodd. What these folk left behind, though…
Probably the reason Lou Reed was always reluctant to acknowledge the Velvets in his later, hugely successful careers (despite playing their songs), was that for all his success, he could not - not ever - have produced anything like the Velvets on his own; and that to some extent that reduced his creative validity, that he’d created something far more lasting and significant with other people, than anything he’d ever created with his own outfits.
Paul McCartney is said to have been obsessed with his past with The Beatles, and went out of his way to make more money than the Beatles did…
I don’t know how he does his accounting, but chunks of money do not, not now nor never, equate to cultural and social impact and influence. We still hear echoes of The Beatles today. And the Velvets, in everything from soap commercials to supermarket music.
Intergalactic Sex Tourists - The Sex Organs (Voodoo Rhythm)
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- By The Barman
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It’s all so obvious and so much more childish than Parliamentary Question Time, but how can you resist a male-female duo called The Sex Organs who dress like they’re named with songs like “Lubrication” and “I Wanna Be a Pussy”? Oh, you can? If you have sufficient taste to push back, you can leave now.
Drummer Jackie and guitarist Bone formed The Sex Organs in 2014 to play European festivals and quickly recorded a single, “Fuck The Human Race”, in Amsterdam’s red light district. They come (pun intended) from somewhere in Europe. This is their debut album and of course it’s on Voodoo Rhythm, the people who peddle “songs to ruin any party”. Or orgy.
It’s Psychological - Happy Times (Swashbuckling Hobo)
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- By The Barman
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It could be as the title says and allude to obsession, but “It’s Psychological” also proves you can make an entire LP from songs about U-boats and shit food and come out winning.
Maybe it’s something in the sub-tropical water or the inexplicably-labelled local beer (that’d be Fourex to you and me) but Brisbane’s small underground rock scene is teeming. HITS are the heavyweights, Mick Medew is the elder statesman, but there’s plenty more happening if you use a coin to rub the panel on the scratch lottery ticket and look underneath.
The Outskirts of Your Heart - Pat Todd & The Rank Outsiders (Hound Gawd! Records)
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- By The Barman
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You might think of it as just another European label re-issuing an American artist’s old work on vinyl - a smart commercial move because nobody in Europe buys albums on CD - if they can help it.But you should consider Hound Dawg Records' engineering the re-appearance of the first record for Pat Todd’s post-Lazy Cowgirls outfit as a public service. Here’s why:
- Unknown Compelling Force - Fortress of Narzod (Chief Designer Records)
- Double CD launch for Prehistorics and Stukas
- Surrender b/w Down Around The Corner - The Lonelyhearts (Buttercup Records)
- Ever So Lovely b/w Someone Special - The Strawberry Teardrop
- A Big Bad Beautiful Noise - The Godfathers (Godfathers Recordings)
- Juggling Prayers - Circus Chaplains (Circus Chaplains)
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