Legend Of The Bleeding Heart – Golem Dance Cult (Flying Rats)

Employing both organic instruments and all the latest digital technology, this Suicide-like duo have known each other since their teen years and have been collaborating off and on since then. Charles Why shares vocal duties along with production, bass, guitar, etc., while brooding and mysterious frontman Laur cuts a profile like a dashing cross between Peter Murphy and Ian Curtis. I dig their new album, thoroughly. 

With membership drawn from Belgrave, Victoria (Australia) and Besancon (France), Golem Dance Cult has poetic lyrics that are super visual collages informed by ancient horror films, low budget sci-fi, vampires, Bowie, Frankenstein's monster, a haute couture eye for detail and ‘70's superstar celebrity glam rock pomp and circumstance. 

Get Old – The Holy Soul (self released)

There’s undoubtedly some self-effacing irony in the title of the fourth long-player by Sydney veterans The Holy Soul. Ageing is an inevitability and these guys (and gal) have been around since the early 2000s, coalescing in a shed in the suburban outskirts before establishing a base in the creative oasis of the inner-west.

Since then they’ve collaborated with the likes of Damo Suzuki (Can), David Thomas (Pere Ubu) and Robyn Hitchcock (The Soft Boys), the latter an adopted Aussie who produced this while on one of his extended stays in Sydney.

“Get Old” contains The Holy Soul’s trademark interlocking guitars and throbbing rhythm section, and typically dodges easy categorisation. There’s a touch of jangle, some bluesy swagger and a large slice of glam.

Woke Up and Seen my Reflection - M.J. Halloran (Torn & Frayed Records)

Well, it's been nearly a month since I was almost not here at The Bar anymore. And here I am, finally getting to a few reviews before I shut down again and get on with “my book”. 

MJ Halloran's “Woke Up and Seen my Reflection” was recorded in Melbourne live to two-inch tape with his long-time collaborators Steve Boyle (Moler, Hungry Ghosts, Rowland S. Howard, Brian Henry Hooper, among others) and Tim O'Shannassy (The Paradise Motel, Penny Ikinger, Belle Phoenix, Brian Henry Hooper, among others) with the addition of Andrew McGee (the founder of Shock Records), and guest performances from Kim Salmon (who you've never heard of, right?). 

There's a good back story to how it came about too.

Steve, Tim, Andrew and MJ decided to try, in Melbourne, what they'd done previously with Steve Albini in Chicago. That is, recording in one room without overdubs. So, they'd better get it right first go. MJ's press notes remark that Link Wray was a good reference point, as Wray did something similar with his 1971 self-titled record from 1971, which he recorded in a converted chicken barn.

Blown Again - Blowers (Spooky Records/Chaputa! Records)

The Spooky Records website asserts; “Capitalising on their triple vocal attacks, blistering guitars and fast-paced tunes, ‘Blown Again’ is a tongue-in-cheek earworm of a ride laced with sick humour and shit-stirs. The album is chock full of “fuck you” themes, with tracks like ‘Shut The Fuck Up’, ‘Wipe My Ass’, ‘Slice’n’Dice’ and ‘Bad 4 U’ that jump off the record and grab you by the throat.”

Spooky also reckons: “For fans of The Spits, Jay Reatard, Wipers, Mean Jeans, Oblivians, The Cavemen, Wet Ones”. Mind, I gotta say I'm somewhat ignorant there.

So, to this bad-tempered old goat, what do Blowers sound like?

FULL-ON FUCKYOU FUZZ HAMMER THOR CHORDS CRUSH DESTROY

The Hypnogogue - The Church (Communicating Vessels/Easy Action Records)

Confession time: never really paid much attention to The Church. Cost of having other stuff to do is that you miss a lot.

Conclusion first, though: you're gonna enjoy this. "Ascendance" is the first track and you're gonna go all gooey and lose it from there, taken as you are into a beautiful, well-sculpted world. The band have put a huge amount into "The Hypnogogue" - the music isn't standard throw-away rawk by any stretch; the more you listen, the more exquisite layers you'll discover.

Let Your Hair Down – The On and Ons (Citadel)

Short on time? Here's all you need to know in fewer than six paragraphs:

“Let Ya Hair Down” is album number five for The On and Ons and finds them exploring new sonic textures and invoking a slightly tougher approach. The hook-laden song-writing, lockstep playing and uplifting harmonies remain intact, but there’s a sense of the band pushing fresh envelopes, too.

Let’s say that thing that every band hopes/strives for, and declare, without hyperbole, that it’s the best thing The On and Ons have recorded.

If you don’t know already, The On and Ons feature singer/songwriter/guitarist Glenn Morris, his brother Brian (drums and harmony vocals) and bassist Clyde Bramley (bottom end and harmonies). The band is based in Sydney and their combined pedigree includes recording and touring internationally with Hoodoo Gurus, Screaming Tribesmen, Kings of the Sun, and Paul Collins Beat.