Nothing Is For Everyone – Drugs in Sport/Sound of Speed – Lachlan X Morris (Outtaspace)
Split records can be problematic. Too often the vehicles of economic convenience for cash-strapped but otherwise disparate bands who pool their money and patch two sides together in order, just to get a release out. And there are splits like this one where some pop-rock magic works together.
Drugs in Sport and Lachlan X Morris both come from Newcastle in Australia. A onetime hotbed for blue collar rock and roll, the former Steel City has gentrified and diversified. This shared release on Central Coast label Outtspace is five songs from DIS and four from Lachlan X over two sides of 12-inch vinyl, and proves that there’s still rock and roll life in Newie.
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- By The Barman
- Hits: 1881
The Crisps – The Crisps (Vi-Nil Records)
Pure garage pop goodness and it’s only two decades late. Chances are you’ve never heard of them.
As mentioned elsewhere, The Crisps were a Sydney assemblage of great potential back in the 1990s. The reasons they went nowhere are lost in the mists of time – probably hidden under a floorboard of the abandoned Hopetoun Hotel.
A vehicle for the songs of drummer-vocalist Stuart Wilson (New Christs, Lime Spiders and dozens of others), the band included members of would-be international stars Doomfoxx, road veterans The Johnnys and underrated northern beaches cowboys Orange County.
They recorded these six songs to help rustle up gigs. Ex-music reviewer-turned-bar operator Mark Fraser heard them while reviving his Vi Nil Records label, loved ‘em and offered to press them up. And the rest is history.
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- By The Barman
- Hits: 2286
BuddhaDevadatta - Buddhadatta (self releasd)
Picture it: Rundle Mall, Adelaide, the height of Festival and Fringe, and your scurrying obedient scribe is trying to hustle through the attention-getting non-event nonsense “street shows”, the magic acts, all treating us to the incredibly naff idea that “an event means LOUD IMPERATIVE music”, on my way to the bottleshop and thence to the bus to arrive at a nine-year-old’s netball final.
Out of nowhere appear three Japanese musicians, one with a basket on his head clutching a sort of semi-acoustic six-stringed thing, another bloke with a curly mohawk hunched over what looks to be a child’s drum kit, and a woman with long red dreads, wearing a beaming smile and holding a bright red, headless bass.
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- By Robert Brokenmouth
- Hits: 2596
Things Will Be Different: A Tribute To Little Murders – Various Artists (Twist Records)
Tribute records? They used to be all the rage but are they now just a bit naff? It depends on who they’re lauding.
Little Murders are Australian rock and roll’s – no! don’t say it! – Best Kept Secret. It’s a cliché, for sure, but don’t be afraid. It just means that cloth-eared and gormless cretins don’t know who they are. If you’re one of them, consider yourself admonished and start paying attention.
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- By The Barman
- Hits: 2231
Died Pretty Live – Died Pretty (Citadel)
Live albums were things a band pulled out of its collective arse when members were short on ideas and had “contractual obligations” to a label. These days, they’re a quaint anachronism in a market that treats digital singles as a currency.
The only contractual obligation Died Pretty has these days is keeping their record label boss and manager, John Needham, in the lifestyle to which he is accustomed (that's a joke, John), so a live recording of a February 2008 performance of the cross-over album “Doughboy Hollow” at Melbourne’s Forum Theatre is probably of interest only to diehard fans.
Guilty as charged but thousands of others will take the same plea.
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- By The Barman & Steve Lorkin
- Hits: 3212
Drop Out With The Barracudas Deluxe Edition – Barracudas (Lemon Records)
Increasingly, the recording companies attempt to milk the last of the boomer dollars before retirement homes steal the last of our bank accounts. They’ve already worked out that there's bugger all money in new recordings. Even dependable old cash cows like KISS and The Who have made public statements to that end.
So record companies have learnt to spew out deluxe editions of the familiar, the obscure and the criminally ignored. And, if someone is going to put out a multi disc collection of every taped concert on Sunset Strip, well oops. My finger slipped on the buy button before I read about the goddamn postage.
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- By Bob Short
- Hits: 2248
John Kennedy and the New Originals - John Kennedy and the New Originals (Foghorn/MGM)
Brisbane-raised English expatriate John Kennedy patented the Urban and Western genre after he transplanted himself to Sydney 40-something years ago and found underground success. It’s been a long (and winding) road since.
There’s been a decade living overseas in Los Angeles, Berlin, London, Holland and Hong Kong. Kennedy on paper’s had what appears to be a revolving cast of backing bands - J.F.K. And The Cuban Crisis, John Kennedy And The Honeymooners, John Kennedy's '68 Comeback Special and John Kennedy's Love Gone Wrong.
Reality is that there’s been an intermingling of players in those bands and the line-up’s been stable in recent years, but perseverance has been a by-word.
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- By The Barman
- Hits: 2560
Memento Mori - Hugo Race and Josh Lord (independent)
You shouldn't put “Memento Mori” on as background music while you do the dusting or writing funny memes. I mean, you can, of course. But it's a lovely slow-paced creature, and it will snare you.
You'll find yourself slouched on the couch, wanting sleep and comfort but ... despite all the gorgeous sounds, it's damned unsettling. You'll wake with a stiff neck and your limbs out of joint, I promise. No, skip to the end for how to fully appreciate this.
But first, I must apologise unreservedly to both Josh Lord and Hugo Race. I was unable to do this review quickly enough.
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- By Robert Brokenmouth
- Hits: 2478
Ready! – Plastic Section (Outtaspace)
Self-consciously retro rock and roll bands can be a real problem. There are ones that overplay their hand and fall back on gimmicks. They almost always have a name with “Thee” appended to the front. And then there are those that apply their three chords with genuine regard for where the music emanated.
Plastic Section is part of a loose Melbourne aggregation of bands in the latter category; their peers are The Breadmakers, The Vibrajets and The Cha Cha Chas. Each faithfully plunders the past while applying their own take.
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- By The Barman
- Hits: 1976
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