scientists

Barman, how many bottles can I get away with putting on this? If you’re a literalist, it’s five. Because you can’t go over 100 percent, by definition, can you?

Can you, fuck! Eight bottles, Barman. (ED: Go home, Robert, you're drunk!) This is a special, wonderful box set. Long overdue.

_{Headliner Kim Salmon: No fish out of water.   Campbell Manderson photo}

Every time I go to Melbourne, something elbows me in the ribs and, somehow, things don’t go according to plan. The last few weeks have been short pay weeks, so I didn’t have quite enough dosh as I expected.

Of course, I had also completely forgotten that hotels now want a deposit against impromptu extra day stays and so forth, just in case you take the toaster into the shower or, to settle an argument, see how just far down the emergency stairs you can surf on the bed.

So, somewhat impoverished, I set off for St Kilda, a once-magical place of genteelly-crumbling art deco, dread gangsters (the real kind), assorted equally impoverished students, musicians, dealers and migrants and so on and so on. The event is the 16th A Day By The Green, a long-running Melbourne rock and roll institution.

2017 was a great year to celebrate the 50th anniversary of The Velvet Underground & Nico and "Forever Changes", the 40th of "(I’m) Stranded" and the 25th of something great (and local) which came out in 1992 that was more than likely one of Ed Kuepper’s. And speaking of Mr Kuepper, let’s launch into this Top Ten the Barman asked me to do.

I’ll just prattle on about live shows I’ve seen as they’re probably more entertaining than my thoughts on Cosey Fanni Tutti’s autobiography "Art Sex Music"  which isn’t  rock & roll enough or director Kriv Stenders’s recent feature documentary on the Go-Betweens which is probably too wimpy for readers in I-94 Land.

Fair enough - they’re not everyone’s cup of tea – especially if you prefer coffee.

1.-7. THE AINTS 2017 AUSTRALIAN TOUR OF THE EAST COAST
Apparently the best way to describe someone who follows Ed Kuepper’s shows from town to town is to call them an Edhead. In 1976, Saints fans were known as Kuepper Troopers as it was understood that even in those early days it was Ed’s band - up until 1978, at least.

So fast-forward to 2017, The Aints awake after a 25-year hiatus and decide to tour through the most of the country’s capital cities doing Saints material from ’73-’78.

2018 kicked off with the release of Amy Rigby’s “The Old Guys” (Southern Domestic). That was probably my outright, most spun album of the year and always played from start to finish in its proper sequence. Produced by Wreckless Eric, this really should be on every year end list. I hope that one day, the world will catch on because it could sure use her music as a balm right about now.

The Dahlmanns “American Heartbeat” mini album (Beluga/Ghost Highway) features  six songs whereupon Moss Rock City’s finest team up with Björne Fröberg (Nomads) and Chips Kiesbye (Sator) to deliver another chapter in timeless pop. It has a semi-baroque, almost folk quality. Line’s voice really has that Linda Thompson quality come to the fore. When I say folk of course I mean the LOUD variety, not that finger in one ear malarkey. Not that there’s anything wrong with that.

My patience with one and two-person acts is often stretched but The Courettes are the exception to that rule. This fuzztastic duo make records that actually live up to the dynamite show. It’s nice to see them receiving the praise they deserve and how things are actually growing for them. “We are The Courettes” is their latest and unreservedly recommended album.

Lucy and The Rats, who are in Australia as I tap away, were the best thing I saw at the Wurlitzer Anniversary weekend in Madrid this past September.

Psycho-Acoustic Processor – Shark Arm (self released)

Don't argue, just get it, and make sure you catch them live.

The Iowa brothers make enough bloody racket for eight men. Even though you'd swear they were a four-piece on first listen. Bass, drums, vocals, guitar.

Three of these are played by Nathan Iowa, while Damian pounds the hapless skins. Their songs are a rumbling chaos shot through with ordered lightning and purple viscera.

_{Katelyn Slyer photo.}

Wollongong's Chimers - whose self-released and self-titled album of 2021 has found fans in Henry Rollins, Fugazi's Guy Picciotto, and members of The Mark Of Cain and Mudhoney - have released a new single "Generator" ahead of extensive live dates.

The single will be launched in Sydney on January 20 at Vic On The Park with support from Private Wives, and in Wollongong on January 27 at La La La's with Uncle Pit.

Irish born Padraic Skehan and life partner Binx formed the band in their Wollongong backyard during the initial lockdown of 2020. Veterans and drummers both of the ‘Gong’s vibrant garage-scene - The Pink Fits, Drop Offs, Evol and more. Chimers is an altogether different beast, Padraic taking a giant leap forward by removing himself from the back seat and assuming the roles of singing, playing guitar song-writing.

It’s leading up to the Festive Season but don’t expect to hear Christmas carols at Sydney Rock 'n' Roll & Alternative Market on Sunday, November 26.

Hard-Ons - just back from a successful European tour and pictured above- and swamp rock elder statesmen Kim Salmon head the musical entertainment.

Yes, you’ll get the usual range of cottage and unique goods, records, Tiki mugs, art, homewares, food, drinks, fashion and Tiki mugs at The Manning Bar at Sydney University. 

But you’ll also cop a double blast of Hard-Ons and Salmon, the latter in solo mode after hisnational tour by the classic line-up of his old band, The Scientists. 

Joining them earlier in the day are Hanks Jalopy Demons, Keiron McDonald Combo and the usual array of DJs. Entry is $6 before 12pm and $8 after, with kids under 12 free. 

_{James Baker and Joe Bludge: The Painkillers.} 

The name James Baker is synonomous with Australian garage rock. His musical exploits read like a who’s who of legendary Australian music – one third of legendary Perth proto-garage punk outfit The Victims, original drummer (and songwriter) with the garage pop incarnation of The Scientists, skinsman in the first (and best) line-up of Le Hoodoo Gurus, founding member of Australia’s best known rock supergroup, the Beasts of Bourbon and drummer with the sadly underappreciated Dubrovniks.

After a 22 year hiatus, the Dubrovniks are temporarily back together and will be playing shows around the world, book-ended by gigs in Perth (June 6) and Melbourne (July 18).

“I’m Flipped Out Over You” is the theme for the Australian dates, the first leg of which is a show at Perth’s Rosemont Hotel with the original Scientists. It also happens to be the wedding reception for Dubrovniks and Scientists drummer James Baker and features the Television Addicts (two-thirds of the Victims, Spencer P Jones and  The Runaways (Spencer P Jones and Kim Salmon.)

The Melbourne version of “I’m Flipped Out Over You” becomes a two-stage garage punk extravaganza at the Corner Hotel with a gloriously loud bill that also includes the original line up of the Scientists (Kim Salmon, Baker, Boris Sudjovic and Rod Radalj), They’ll be joined by Rocket Science, Spencer P Jones & The Escape Committee, Hits, The Pink Tiles, The Electric Guitars and Girl Crazy.

Travels and Travails – Penny Ikinger (Off The Hip)

Originally slated to be a Best of album, “Travels and Travails” is a collection of 11 songs from Penny Ikinger’scareer, spanning 2004-23. Considering it was recorded with half a dozen different bands in various places around the world, it hangs together remarkably well.

There’s no real need to reference Penny’s musical beginnings in the hothouse that was Sydney’s underground in the 1980s. It’s as an artist in her own right back in her hometown of Melbourne, that she’s made her mark. 

She also has a appetite for taking her music offshore. These are collaborations with artists from France, Australia, Japan and the United States – live and in the studio. Fans will recognise the odd re-working of previously released material, but most cuts are new. 

_{Leanne Cowie (nee Chock), Boris Sudjovic, Kim Salmon and Tony Thewlis. Collectively known as The Scientists.} 

Ever have an attack of the stupids?

No? Must be me then. 

See, The Barman asked me to do this interview with Kim Salmon to mark an Australian Scientists tour with the classic "experimental" line-up. A phoner. I wrote back saying, I couldn't, I'd be in Melbourne. 

No answer.

_{Brian Henry Hooper being attended to by his angels, his nurses. Carbie Warbie photo.}

Four weeks ago Brian Hooper lay in intensive care, surrounded by family and his closest friends. The tumour doctors had found on Hooper’s lung just before Christmas was preventing Hooper from breathing without medical and mechanical assistance. Specialists suggested the even Hooper’s short-term survival was in the realm of miracles.

It wasn’t the first time Brian Henry Hooper had been told to fear the worst. Just over 14 years ago Hooper was told by specialists he may never walk again, after the balcony he was standing on at a gathering in Victoria’s Mornington Peninsula collapsed, sending Hooper crashing to the ground, his back mangled from the fall.

Over the next 12 months, Hooper pulled himself back from the edge of permanent paralysis. Hooper’s resilience and psychological strength astounded all around him. In late 2004 Hooper limped back on stage with the Beasts of Bourbon for a gig at the Greyhound Hotel. Towards the end of the set, his battered spine unable to withstand the trauma of standing any longer, Hooper lay on the ground. His bandmates, save for Tony Pola on drums, followed suit, three battle-hardened rockers lying prostrate on the stage in sympathy for their comrade-in-arms.

For many years now I’ve been damn glad I don’t live in Melbourne. There’s more quality musicians there per square metre than almost anywhere you can name. The worst of it is, see, I don’t like to go see a brilliant band just the once. No, that’s not how you’re called to music.

Here in Adelaide, I would relentlessly follow - and record - my favourite local bands. The Lizard Train, Bloodloss, I couldn’t get enough of. There were others I liked, but not like this. If I lived in Melbourne, I’d have to have myself cloned.

Kim Salmon, expat Perthian (we think they’ve stopped worshipping Baal, we know they no longer eat their young at Easter but the inbreeding remains a problem) and one of a handful of musicians with the strongest and most extraordinary creative imperative in the country, plays here tonight with a pickup band (the only way the gig would work).

Mark this one in your diary: Kim Salmon is taking the late period line-up of The Scientists out on the road in Australia for just four gigs later this year. 

Episode 2 of "Monday Evening Gunk" with Australian swamp rock god Kim Salmon (Scientists, Beasts of Bourbon) is now online for your viewing pleasure. Kim joined Sydney co-hosts Jay Katz (Sounds of Seduction, Mu Mesons) and Tiffany Palmer (Sydney Rock and Roll Markets) down the line from Melbourne to talk about the new Kim Salmon and the Surrealists album "Rantings From the Book of Swamp". 

"Monday Evening Gunk" streams free from the Moshpit bar Facebook pageevery Monday from 7.30pm Sydney time.    

Contrary bugger that he is, while this hasn’t quite been released, quite a few radio shows are playing tracks; this is probably because the DJs have all contributed to Kim’s crowdfunding site and have been snaffling the thing. And no wonder, because My Script is a ripper of a CD, all raucous yet bedroom-y, intimate and deafening by turns.

It’s also quite clear that this is Kim’s first "real" solo LP, allowing us to see the full gamut of his talent. Miles Mumford is in the production chair, in between contributing poignant soundscapes.

On the back cover, “All Rights Reserved” is followed by “All Wrongs Righted”. In a way that’s typical of the man Salmon; I mean, yeah, it’s bit of flung-out wordplay, but imagine setting out a task so hopelessly impossible to complete…

The Scientists’powerful brand of deranged swamp-rock returns with a vengeance on June 11th, when Los Angeles’In the Red Recordsunleashes “Negativity”, an all-new magnum opus and the first full-length album by the Australian band’s penultimate line-up in 35 years.  “Outside”' is the single first release from the album, out to the world today.

The bruising 11-track collection features aScientistsconfiguration much beloved by connoisseurs of the band’s work: singer-guitaristKim Salmon, lead guitaristTony Thewlis, and bassistBoris Sujdovic, all veterans of the group’s defining 1981-85 outfit, and drummerLeanne Cowie, who replaced drummer Brett Rixon on the storming 1986 release "Weird Love".

The Scientists
Earth Tongue
Cull - The Band
Lion Arts Factory, Adelaide
4 March 2023
Photos: Alison Lea

It's the middle of Festival season here in Adelaide. As I walk toward the Lion Arts Centre, in the mid-1980s a sprawling, possibility-ridden centre of the most extraordinary range of Fringe shows for several years, Adelaide is chockas with assorted revellers starting out on their Saturday night of revelling, or whatever it is people do on a night roaming from club to club.

Many of the professional scroungers have arrived and are already parked on the footpath. A few will raise enough shrapnel for a box of goon and spend the rest of the night abusing passers-by until they're either kicked or arrested or both, followed by Maccas for brekky at the cop shop. A top night out; Adelaide can compete in the big leagues.

It's early yet (6.30pm), the doors open at 7, and the first band, Cull, will be on shortly after.

So. I see this bloke amble out of the venue. Spotting me, he ambles down the stairs and comes over. It's probably my new Josh Lord “Neotribalism”. T-shirt (huge red skull on the front) (note product placement). He comes over; 'Are you here for the gig?'

There are supposed to be two types of Scientists fans: those who like the first punky-pop incarnation from Perth and people who like the latter, swampy line-ups that sprang up in Sydney and moved to the UK. Of course that’s nonsense. The world isn’t binary. You’re free to love ‘em both.

Getting a handle on the recorded legacy of either, however, is no easy task. The grunge Sydney-UK Scientists recorded in fits and starts, falling out with their then-record company and seeing their stuff released in forms that did not please them. 

You'll drop big money tracking down original vinyl but the output of the Perth Scientists has been reissued several times over in jigsaw fashion. At one stage their legacy did suffer from a poorly produced self-titled record (the posthumous so-called Pink Album) being their only LP. Thankfully, there’s enough out there to give a more complete picture of their sound, to which “Not For Sale” adds much.   

Of the four albums by The Painkillers since 2006, this is the first to feature a full band. It also reprises five of its nine songs from earlier recordings. 

The Painkillers were formerly a duo - guitarist-singer Joe Bludge, a bluesman, and drummer James Baker, a man who surely needs no introduction. 

Coming from Perth (yeah, yeah, the most isolated capital city in the world) kept them a secret from the rest of Australia. I remember rushing across town one Saturday night, after an opening spot by Wrong Turn at The Empire (RIP), to catch a rare East Coast Painkillers show at Sydney’s Excelsior Hotel (RIP again), and finding the band barely outnumbered by punters.