More Medew for you
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- By The Barman
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While his band The Mesmerisers are preparing for a run of Melbourne shows to promote their brand spankin' new album, Mick Medew is playing a rare solo electric show at Brisbane's Junk Bar on August 13.
Tickets are on sale via Oztix. Support is Defo Mofo and expect a run through the bulging Medew back cataolgue, with some surprise covers.
Damien Lovelock's wonderful life
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- By The Barman
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From the Celibate Rifles Facebook.
I went to a Catholic boarding school, and that sort of team spirit thing and having the right attitude to what you do was drummed into you from day one. And I viewed any group enterprise the same way, life's too short for bickering and bullshit. If there's something you want to do, let's get to doing it. You can have fun on the way. but I used to watch most bands and it seemed that it was more a part of a look.
As soon as I met the Rifles I thought OK, there's something here. There's an energy and... there's something that sets them apart from a lot of the other bands. And that, nothing lasts forever. If you don't look after it it'll just dissipate and go. So yeah, I got into that. - Damien Lovelock in conversation with Earl O'Neill.
The magnitude of yesterday’s passing of Celibate Rifles frontman Damien Lovelock at the age of 65 is still sinking in. Lovelock died at his Sydney home after a protracted fight against cancer - a battle that was known to many but largely kept private out of respect for the man.
Damien Lovelock was one of the most articulate, witty and forthright figures to spring from the Australian underground music scene in the 1980s. His laconic drawl was a trademark element of the sound of the Rifles, perhaps Sydney’s ultimate anti-star complex band. As promoter and longtime Damo friend Tim Pittman remarked: "He was a unique human".
Vale Celibate Rifles frontman Damien Lovelock
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- By The Barman
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Vale Damien Lovelock, lead singer of the Celibate Rifles, raconteur and and sports commentator. The icon of The Australian underground music scene passed away this morning after a protracted health battle. A more fullsome tribute soon.
Dave Studdert's Tactical return
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- By Edwin Garland
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Dave Studdert.
When drawn to writing about Tactics, their new album and their forthcoming Australian tour, I had a youthful flashback to being a 17-year-old and moving down to Sydney from the bush. Armed with smudgy-ink copies of RAM magazine, I was aware of so many bands that I knew mostly in name only: Midnight Oil, Hitmen, The Saints…and some weird shit (at least in my mind) like The Tactics, Thought Criminals and Dead Travel Fast. I was like a sponge and I wanted to see every one of them.
I had a hunger for a tapestry of sounds and new, sharp sonic edges - stuff that was so far from the bland radio fodder like Cold Chisel and Dragon. I left a live music scene centred on a dilapidated pub by a river that often flooded…a place with peeling paint and populated by old tradies with battered faces, professional alcoholics and underage kids. We watched the odd cover band and the place was home to weekend rock-stars playing poorly -delivered Chuck Berry riffs. The alternative was the local blue light disco that usually ended in a bloodbath by the end of the night.
So, I moved. I headed to Sydney.
The Fantastic Sounds of Guitars…Unlimited! – The Hellmenn (Buttercup)
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The quick version? Fourteen tracks. The cover doesn’t lie. Wall-to-wall guitars. Rocks harder than a Manly ferry on a cross-Sydney Harbour run in a 40-knot gale. The long version? Read on…
“The Fantastic Sounds of” has the blessing of Dave “Spliff” Hopkins, their mercurial guitarist, and frontman Ben Brown, whose stellar “surfing dead” artwork has not only adorned their past and present releases but those of Massappeal, Red Kross and Bored! They were the core of the band. Hopkins now lives in WEstern Australia and plays in Purple Urchin, while Brown is still a stellar artist.
The Hellmenn sprang from the loins of the Sydney musical underground in the halcyon late ‘80s, rolling out a long-player and numerous EPs and singles until grunge, random breath testing, poker machines and venue licensing red tape sucked the marrow out of the local live scene in the early ‘90s. The Hellmenn were proud products of the city’s Northern Beaches - the place that spawned Midnight Oil, Asteroid B612, the Celibate Rifles, to name some notables. There were many more.
After 37 years, ME-262 reform for one-off Sydney show with the Green Spiders
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- By The Barman
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It’s a bill to have fans of lysergic acid punk or Sydney-via-Detroit Funhouse jams reaching into the cupboard for their leather jackets and Cuban heeled boots, when the Green Spiders pair with the long, lost ME-262 for one gig only at Marrickville Bowling Club on September 28.
The Green Spiders come from the DNA of the Lime Spiders, Adolphus and The Most – all staples of the Strawberry Hills-Sydney Trade Union Club circuit in Sydney in the early ‘80s. They play the songs of the Lime Spiders that Green Spiders members penned.
Lime Spiders members Ged Corben (guitar), Tony Bambach (bass) and Tom Corben (drums) are joined by Ripley Hood (Mushroom Planet) on vocals to deliver a potent parade of hard rock and ‘60s punk gems.
Some 37 years after they last strode a Sydney stage, ME-262 are reforming to play this one show.
Comprising teenagers Mark Roxburgh, Andy Newman, Tony Gibson (one of the best guitarists of the era) and drummer Alan Marr, ME-262 (also known as Trans 262 and not to be confused with MEO-245) could be seen regularly around inner-city Sydney in the post-Radio Birdman years of 1979-82.
Heavily influenced by Birdman and The Visitors they played support spots to Sunnyboys, New Race and dozens of others. issuing an EP before fading away to form, or join, other bands like Decline of the Reptiles, Chris Masuak’s North 40, the Visitors and the Deniz Tek Group.
This show will draw from the band’s posthumous 2017 compilation "Original 7” Tracks/Demos" on boutique label Buttercup, which comprised their EP tracks and other songs drawn from a recording session with Rob Younger.
Th Green Spiders and ME-262 will be joined by a mystery band drawn form a range of bands from the Sydney underground of the late '80s and '90s. Tickets are on sale here at a special early bird price.
Broken Window Theory: Getting between the cracks with Jeff Ward of New York City's ElectraJets
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- By General Labor
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"There's a crack in everything, that's how the light gets in..." (Cohen)
One of the most exuberant and enlivening, new, modern bands I've discovered in what seems like forever, ElectraJets, is led by an Englishman named Jeff Ward and a Canadian named Cynthia Ross. You might be hip to those names from the B-Girls, Gunfire Dance or New York Junk, but the forthcoming full-length album, "Transatlantic Tales", is by their Gotham band, ElectraJets.
It's a rocket through time and space, pulsating with an irresistible beat and likely to appeal to fans of Detroit protest music, Julian Cope's Black Sheep and "Cut The Crap" busking. There's something here for fans of Pretty Things or Blue Cheer, so beautiful it hurts Love & Rockets-style nocturnal pop, '60s prog, '70s glitter, Marc Bolan, Bowie and the Stones.
I told an old pal how awed I am by the ElectraJets' extremely formidable rhythm section, who have a total mastery of that boot boy stompin' 70s' Slade/Leader Of The Gang/Bo Didddley beat, that makes you wanna get out of your sad old man chair and dance in front of the mirror. It's down the rabbit hole rock 'n' roll, with many varying moods, genres, textures and layers - from delicate memories to volcanic eruptions, bruised romanticism and rooftop hymns. It's far-flung and forward thinking, neon hued and cinematic, and it will make you involuntarily want to move your body.
Drunk and Disorderly is back: Episode 37
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Episode 37 of Drunk and Disorderly, the I-94 Bar podcast, is live on MIxcloud. Give it a few days, and it will be on iTunes, Spotify and all your other favourite streaming services. Ain't technology grand? This edition includes music from Aberration, Candy Snatchers, Ronny Dap, Chris Masuak and the Viveiro Wave Ridrs. Mick Medew and the Msmerisers and CTMF (that'd be Billy Childish).
Second Prize in a Beauty Contest - The Dunhill Blues (Outtaspace)
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How great are back-stories? Music on a record should always be able to stand up for itself, but the yarns behind it give context and (occasionally) help understand what lies beneath.
The tale behind "Second Prize in a Beauty Contest" is fraught with life. In the band's words, it encompasses "three divorces, one marriage, one baby, one European tour, countless Australian east coast tours, line-up changes (and) a 7” single". The Dunnies' last album (their third) was "Hulacide" in 2012. This one was recorded in two days in Sydney in 2017 and left to sit on the shelf while everybody got on with their lives.
The evidence of its difficult birth is in the music - some of it bitter and forthright. A song title like "That's a Fucking Lie!" doesn't reek of subtlety.
- Stitched Up - Tokyo Beef (self released)
- Elysian Fields - The Stinkbugs (Swashbuckling Hobo)
- This is... TROATT and We Want Beer - Troatt (EC Productions)
- Birdman tag-team with The Stems for two-weekend run
- More Filth than you can poke a stick at
- Someday, a real rain will come and wash this Filth off the streets
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