The Fall: New Facts Emerge & The Fall: Singles 1978-2016 - The Fall (Cherry Red)

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By Robert Brokenmouth

Robert Brokenmouth

12 February 2018

Hits: 9944

R.I.P. Mark E. Smith, 1957-2018

"New Facts Emerge" came out in late July last year; the singles box (Seven discs! Eight hours!) came out four months later; they're my Christmas present from me to me. 

"New Facts Emerge" - it merits seven bottles, if not eight. Bludgeoning, bruising, then it takes you on a short cruise: bloody hell this is good. It also grows on you with repeat listenings. However - and this is critical - while many long-term Fall fans seem contemptuous of the band's turn to powerful cranking rock, most Fall fans would find it difficult to come up with a Top 10 of the band's best 10 songs - you won't have that problem much with Judas Priest, or Alice Cooper, will you?

• box set
• the fall
• mark e smith
• singles
• cherry red
• new facts emerge

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Brown Sauce - Flash House (Gods Candy Records)

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By The Barman

The Barman

11 February 2018

Hits: 4276

Flash House are from London and play thrashy but articulate gutter punk. The Scandis and various bands from Australia and the American Midwest perfected this style in the early ’90s. They just weren’t as hirsute.

Sometimes you wonder why the English didn’t achieve more prominence in the trash-punk field while grunge was cutting a swathe, but they were buried under all that Britpop nonsense. Fuck me, I mean, Oasis were less a band than a series of Beatles songs masquerading as headlines. Flash House and their ilk are making up for lost time.

In these times of limited attention spans and information overload, every band needs a tagline. A way to be noticed. Flash House’s is: “Rock ’n’ roll dystopia. Fast songs played by slow minds”. It fits like a thumb in your bum.

• punk
• london
• flash house
• brown sauce

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Mar Y Sol U.S Radio Broadcast - Alice Cooper (Applebush/Easy Action)

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By The Barman

The Barman

10 February 2018

Hits: 5521

This one's an undiluted broadcast of a red-hot show by the Coop and the boys at the Mar Y Sol Pop Festival in Puerto Rico in 1972. That's to say, the original Alice Cooper Band, and not the crack session players and paid employees who followed.

Crank it. What you're hearing is the Alice Cooper Band at the peak of their powers. They're band in all senses of the word and a gnat's dick away from world domination with the release of their "School's Out" album.

The back story is the band was on a festival bill in Puerto Rico with the likes of Al Kooper, the Allman Bros, Emerson. Lake and Palmer, the Faces and David Peel and went on at 5am. You can't tell from the energy levels. A review at the time describes a festival beset by chaos, numbing humidity and massive financial losses. They would say that, wouldn't they. Let's hope the bands got paid. 

• alive
• love it to death
• school's out
• glen buxton
• killer
• alice cooper
• Mar Y Sol
• dennis dunaway
• neal smith
• michael bruce

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Thinking of Another Place - Lou Reed (Easy Action)

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By The Barman

The Barman

10 February 2018

Hits: 4857

Lou’s semi-lost period of the mid-‘70s - post-“Coney Island Baby” and before “Street Hassle” - gets  a lot of bad wraps. Not without reason. A big part of why is “Rock and Roll Heart”, an album in the Reed canon that receives little love.

Why? Maybe it wasn’t seamy enough, maybe the production was so-so. The songs seemed weak. Lyrically, it was wishy-washy. The list could go on. Maybe Lou talked everybody out of listening to it when he thoroughly dissed “Coney Island Baby” for being commercially successful. My own take is a little of all of the above. Second-guessing Lou is pointless - and not just because he’s dead.

So you might approach this double CD live release from the esteemed UK label Easy Action with a degree of trepidation. Rest easy. It’s not the born-in-Detroit, Wagner and Hunter-fuelled thunder-and-lightning of “Rock ’n’ Roll Animal”, or the boozy, coked diatribe fest of “Take No Prisoners”, but it’s not without its own considerable merits.

• lou reed
• nina antonia
• velvet underground
• thinking of another place
• arista
• rock and roll heart

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Disintegrate Me - Professor and The Madman (Fullerton Records)

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By The Barman

The Barman

08 February 2018

Hits: 5621

What do you get when you mix two veterans of the SoCal punk rawk scene with a couple of its UK equivalent’s most storied names? This here disc, guv’nor, and a fine slice of rockin’ psych-tinged pop it is. 

Sometimes worlds collide in the best way possible and here’s a prime I’ll-have-one-thin-and-crispy-with-the-lot-and-don’t-forget-the-anchovies example. Genres are less a restrictive tag than a challenge for these guys. 

Alfie Agnew (a real-life maths professor) and Sean Elliott (he’d be the madman) are the US-based principals in Professor and The Madman. The pair played together in D.I., a long-running off-shoot of the Adolescents and Social Distortion, the former being from where Agnew came. 

Rat Scabies, of the (stillborn but legendary) London SS, The Mutants and of course The Damned, was co-opted as a recording member after guest-playing “Smash It Up” with Agnew and Elliott at a US show.  The hook-up with Paul Gray - surely the best bassist The Damned ever had (and he’s back with them now), whose prior form includes Eddie & The Hotrods and UFO - came via Facebook. 

• rat scabies
• the damned
• paul gray
• the descendents
• D.I.
• eddie and the hot rods
• UFO

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Munster Times issues 21 and 22

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By The Barman

The Barman

07 February 2018

Hits: 5332

Everybody of a certain vintage who follows non-mainstream rock and roll has a soft spot for ‘zines. One of the reasons you’re reading this electronic magazine is down to two, 48 Crash and Vicious Kitten.

48 Crash was the archetypal Sydney zine of the early ‘80s. Hand-written (and coloured, sometimes), its photocopied pages spoke of Le Hoodoo Gurus, the Visitors, the three-piece Screaming Tribesmen and the Lipstick Killers - bands that struggled to attract mainstream attention elsewhere. It championed the so-called Detroit Sound that fuelled the Sydney music scene for more than a decade.

Ten years later, Vicious Kitten was an offshoot of the record label of the same name and professional publication that aimed its lens at people like Johnny Thunders, Kevin K, Jeff Dahl and Freddy Lynxx. Very Lower East Side, in spirit.

An honourable mention also to Sydney's B Side, that covered the left-of-centre, extreme local musical scene. Unbelievably Bad fills the same niche today. There were the rock local papers (RAM, the bible, and Juke) that were consumed religiously, but zines had all the cool stuff and never mentioned Chisel, Icehouse or Farnham. 

• melbourne
• dave graney
• zine
• dinosaur jr
• munster times
• 48 crash
• vicious kitten

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The Stems announce three Australian shows before Europe

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By The Barman

The Barman

05 February 2018

Hits: 6411

The Stems, Perth's most popular and iconic 80s garage rock band, celebrated the 30th anniversary of the release of their classic debut album "At First Sight Violets are Blue" with a successful all Australian capital cities tour in November 2017. To coincide with the tour, "At First Sight Violets are Blue" was reissued as a limited edition tour CD.

The tour garnered enough interest in Europe for Spain’’s Fuzzville Festival to make an offer for them to appear at the festival. More shows naturally followed and the band are now set to embark for a three week European tour over April/May which will cover Spain, France, Italy, Germany, Sweden and the UK. 

The UK leg includes a show at London's historic 100 Club.

• alive
• sydney
• new christs
• australian
• dom mariani
• the stems
• p76
• even
• australian tour

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Down the Unmarked Road - The Tall Grass (Come to the Dark Side)

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By Robert Brokenmouth

Robert Brokenmouth

04 February 2018

Hits: 4082

Lovely LP. Ugly, too. 

The Tall Grass is Jamie Hutchings (Bluebottle Kiss) and Peter Fenton (Crow). Never heard those two bands, but I gather "Down the Unmarked Road" is a notable departure for both of them. Like Rheyce O'Neill's "Ubermensch Blues", they've focused on the meaning of the songs to create a bittersweet landscape rich in Australiana.  

• jamie hutchings
• peter fenton
• the tall grass
• down the unmarked road

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Übermensch Blues - Rhyece O'Neill (Red On Brown)

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By Robert Brokenmouth

Robert Brokenmouth

04 February 2018

Hits: 4523

"Ubermensch Blues" is a damn fine LP. Big and moving, it's not a simple thing. Lots of space within the melodies and complex? You'll be returning for repeat listens. Remarkable given that almost the entire work was recorded and played by Sydneysider Rhyece; such LPs don't usually work in my opinion. And what's that title?

Overman Blues. The Nazis thought they were ubermensch; the Japanese and Chinese still know they are. Hell, ever try to talk one-on-one with an Indian of "high caste"? You're way beneath them - the British retain vestiges of their old caste system, but it started to be demolished just over a hundred years ago.

• ubermensch blues
• Rhyece O'Neill
• the weckery

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