It’s bloody festival time here in Adelaide; the week has been a hot one and between stepping around benighted tourists we’ve been taking extra-long detours around the city in order to get anywhere, cheerfully accepting the extra time and travel because the V8 car race is also on.
Then the weather bureau decided that there would only be a 30 percent chance of any rain. Parking the car the heavens opened in what is a sort of minor subtropical hissy fit, and I get drenched.
Hurrah.
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- By Robert Brokenmouth
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Steve Lucas at the Newtown Social Club. Murray Bennett photo
X is a Sydney band.
I can’t think any other outfit that personified the street-level, brutal and at times minimalistic music of Sin City Sydney of the late ‘70s like X. Theirs' was a world of squats with a city awash with Terrence Clark's cheap smack, the odour of brown bags of dirty money and nightly beatings at Darlo police station.
It was a world of corrupt pollies and police in the post-Askin Sydney. X captured that harsh, nihilistic inner-city world. One that has long since been gentrified.
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- By Edwin Garland
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Tamara and Evil Dick. Caroline Burston photo
In a parallel historical universe the vast southern continent now known as Australia might have been conquered by France.
While France was still a functioning monarchy at the time Captain James Cook invoked the now discredited legal fiction of Terra Nullius to claim the territory on behalf of the English throne; by the time Arthur Phillip lobbed into Botany Bay in 1788, France was starting to buckle in the face of rising bourgeois unrest, and had bigger internal fish to fry (or heads to lop, as the case may be).
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- By Patrick Emery
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Headliner Kim Salmon: No fish out of water. Campbell Manderson photo
Every time I go to Melbourne, something elbows me in the ribs and, somehow, things don’t go according to plan. The last few weeks have been short pay weeks, so I didn’t have quite enough dosh as I expected.
Of course, I had also completely forgotten that hotels now want a deposit against impromptu extra day stays and so forth, just in case you take the toaster into the shower or, to settle an argument, see how just far down the emergency stairs you can surf on the bed.
So, somewhat impoverished, I set off for St Kilda, a once-magical place of genteelly-crumbling art deco, dread gangsters (the real kind), assorted equally impoverished students, musicians, dealers and migrants and so on and so on. The event is the 16th A Day By The Green, a long-running Melbourne rock and roll institution.
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- By Robert Brokenmouth
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Credit: Barry C Douglas (Barry Takes Photos)
Zurich-based Henry Hugo has been in Melbourne for a few weeks, playing with a variety of Melbourne talent so glittering it fairly takes your breath away. I believe there might be a couple more gigs to come, so I suggest you get your hat and coat and wallet and get out the door right now.
Before I go on, I missed opening act the St Morris Sinners. I have heard endless good things about them and I must catch them soon. But it wasn’t to be tonight.
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- By Robert Brokenmouth
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Jesse the Intruder of the Psychotic Turnbuckles
The Kings of The Combat Zone, the Psychotic Turnbuckles, returned to Sydney from Pismo Beach last Saturday night for a one-off Xmas show, presented by the I-94 Bar.
They were joined by Melbourne's Stoneage Hearts and Sydneysiders The Prehistorics in a no-holds-barred tag-team contest at Marrickville's Factory Floor. Shona Ross captured these images as the Turnbuckles triumphed in front of a packed house. Click more to see the images.
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- By The Barman
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Truth be told, Lucinda Williams’ last tour of Australia in support of the "Little Honey" album was a little disappointing. And by a little you can read a lot. I had pretty much said I would never attend one of her concerts again. Ever. All right. It was more severe than that. Blood was spilled and oaths were sworn. A goat may have been sacrificed.
So what was wrong with that show? Vague and disorientated, Ms Williams stumbled around the stage in a manner suggesting someone had slipped her a Rohypnol and it may well have been her. She kept telling us how great it was to be playing in a rock and roll club. The “rock and roll club” in question was the all-seated Enmore Theatre.
The seats were so tightly jammed against each other that you couldn't clap for fear of putting someone's eye out. The band laid down a brutal four-on-the-floor boogie. She indulged in strange off beat dance steps, shifting weight from foot to foot and clapping hands above head. These activities seemed to bear no resemblance to the placement of snare and bass drum.
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- By Bob Short
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Gary Slater of Voodoo Lust. Shona Ross photo
One of the hottest Sydney days of the year translated to one of the coolest gigs in almost as long when Voodoo Lust made their first appearance for five years in the Harbour City last Friday night.
With the mercury clocking 42 degrees Celsius (nearly 103 on the old scale) on this fine Friday it was no time for sitting out in the sun (setting or otherwise) and the appointed venue, Marrickville’s Factory Floor, was accommodatingly air-conditioned.
Remember Voodoo Lust? You would if you set foot in an Australian East Coast rock and roll venue in the late ‘80s. The Voodoos toured the shit out of this place and were a powerpop-punk outfit extraordinaire.
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- By The Barman
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We three ladies - my daughter, sister and I - got into town, parked in the nearby parklands and hurried to the Cathedral Hotel. There was no sign of religion in the Cathedral, so we sculled a wine each and hurried across the park through the crowds to the Oval.
What was it like? It was six hours on my feet. Occasional whiffs of dope smoke. Beer spilled over me from all sides and from above. The odd three, four or five angry altercations, quickly stifled before the bouncers could arrive.
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- By Mandy Tzaras
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