
Tokyo duo Sister Paul sets sail for Oz
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- By The Barman
- Hits: 1073
Photo: Band Facebook
Japanese duo Sister Paul are playing Austraian shows this month. With roots firmly in the New York strand of late ‘70s and early ‘80s punk and post-punk scene, these Tokyo underground legends pump out a sound way beyond their means.
The Tokyo band consists Susumu on bass and vocals and Mackii on drums, vocals and kazoo.
They’ve toured Europe, playing London’s esteemed 100 Club, and travelled through Europe as backing band for a reformed Doctors Of Madness, themselves a seminal UK proto-punk band that influenced many.
The Huxton Creepers plan debut LP re-issue, national tour to mark 40
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- By The Barman
- Hits: 1057

Beloved Melbourne band The Huxton Creepers have announced a vinyl re-issue of their debut album, “12 Days To Paris”, ahead of national tour dates. Cheersquad Records & Tapes will issue the LP on June 5 to mark its 40th anniversary and pre-orders are open here.
The Huxton Creepers were one of Australia's most popular and hardest working guitar bands of the '80s, emerging as a teenaged version of both Sunnyboys and Hoodoo Gurus with a bit of Chris Bailey Saints thrown in for good measure.
The Goodbye Johnnys let their dogs off the leash
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- By The Barman
- Hits: 638
Attack Dogs EP – The Goodbye Johnnys (Take The City)
Rock and Roll has no borders: Take The City is a Spanish label and The Goodbye Johnnys are a Swiss band. They play raucous Rock and Roll in the style of The Boys or a less messy version of The Heartbreakers, and have been around the block a a few times with a handful of singles and two albums to their credit.
They're also Zurich's supports-of-choice for touring acts like TV Smith and Ruts DC. This four-track seven-inch EP shows them strutting their stuff to good effect.
“Attack Dogs” is a catchy call to arms and “Losers Crime” is nearly as good. “Get Me” dirties up the rhythm guitar with some nagging, if thin, overdubbed lead. “Too Late” benefits from a sneering vocal and sharp guitar and is the best of the bunch. Good, honest punk rock with no pretensions. ![]()
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The Saints '73-'78 are off to the UK to tour with The Damned
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- By The Barman
- Hits: 852

The Saints ’73-'78 will return to the UK this November-December - as special guests to The Damned on their "Final Damnation Tour".
The bands will play seven dates together including one at the new London venue, the 3,800 capacity British Airways ARC, as well as a series of 2,500-people regional dates.
Tickets for The Saints ’73-’78 with The Damned are on-sale from 10am (AEST) on Friday May 1 via thesaints73-78.com
Ex-Dropbear drops new single
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- By The Barman
- Hits: 662
“I Won’t Sing About It” is the latest tune from Australian indie-artist Johnny Batchelor, onetime frontman for Sydney underground band Dropbears who has been releasing a slew of new music since mid-2024.
With summery indie tones and a touch of blue-eyed soul, "I Won't Sing About It" is a bittersweet tale of lost love and the first track from a new EP which will continue the eclectic stylings of Batchelor’s well received album, “Ain't Nobody”:
The song is by Johnny Batchelor, backed by Lee Borkman (keyboards and backing vocals), Genevieve Davis (backing vocals), Marc Scully (bass) and Yani Socratous (drums). Batchelor sings and plays guitars and it was recorded at Scully's Studio 57 in Sydney.
Peel slowly and listen to these Hovering Spooks
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- By The Barman
- Hits: 577
Andy Says b/w Creeping Jean – The Hovering Spooks (Dominion Recordings)
This is a fantastic debut release from this Sydney supergroup comprising ex-members of Sunnyboys, Sardine V, Dropbears, Linme Spiders, Wedding Parties Anything, The Saints, Celibate Rifles and the New Christs.
“Andy Says” is a homage to/observation about Andy Warhol (who else?) that bustles along with the self-assuredness that you’d expect, given the band’s pedigree. It’s a superb piece of lyrically sharp pop rock, propelled by neat guitar interplay from Cub Callaway and Richard Burgman, and Phil Hall’s wonderful vocal.
Flip it over for the cover of a Kinks B side given the “Prehistoric Sounds”-era Saints treatment in the outro, with horns and vocal again from Phil Hall. It’s not as wired as the paranoid original but it works regardless.
Stream it or procure a vinyl copy here and apply the supplied banana to the cover art. A word of warning: once you do you won't have a spook's chance of removing it.![]()
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For the love of music: Peter Black's magnificent obsession
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- By Robert Brokenmouth
- Hits: 1041

Delicate Barflies, I'm more than a little stunned. The breadth, beauty and sophistication of Peter Black's latest two solo albums. “A Bowl of Spiders” and “The Boss Is Gone Gone Gone” is really damn exciting. These LPs are world-class and really, the man needs exposure overseas outside the context of his bands, Hard-Ons and Nunchukka Superfly.
As far as I can see, Australia has no idea what constitutes a pop song anymore - the mainstream seem happy enough with some oik ranting or squawking over a vague wafty structure.
Anyway. Fucking hell. I've asked my local record shop to get Blackie's latest two records in for me.
Beastly line-up makes for a Sacred night in Sydney
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- By Edwin Garland
- Hits: 1167

Sacred Cowboys
+ Belle Phoenix Band with Jeffery Wegener
+ Pete Ross and The Sapphire
Marrickville Bowling Club, Sydney
Saturday 18 April, 2026
WORDS: Ed Garland
IMAGES: The Barman
Tonight was one of the strongest bills for some time at the Marrickville Bowlo with the common thread that all three bands are on the legendary record label Beast Records.
Beast is an ultra-cool French imprint that has always gone for the musical underbelly, putting out soulful stuff with swagger and a sense of the street. And more importantly bands with great songs – acts like HITS, Kim Salmon, Six Foot Hick, Spencer P Jones and numerous others, The label is also part of the iconic Binic Festival where tonight's headliners Sacred Cowboys are playing later this year.
It’s been 20 months since I saw tonight’s opening act, Pete Ross and The Sapphire, when they supported Charlie Owen at the Camelot Lounge in Sydney. What I took away from that night was that they were a class band of great players, with incredible songs and Pete Ross’s soulful voice.
More than a year-and-a-half on, they could still be the most underrated act on the Sydney circuit, but they remain unpretentious and humble. Tonight, they were playing as a three piece and you might say it was “The Sapphire going Nirvana”. They were certainly more direct and more rocking.
The Crisps take it up a notch ahead of album and Euro tour with Chris Masuak
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- By The Barman
- Hits: 365

Inner-west Sydney rock and roll outfit The Crisps have "upped the ante" by releasing a blistering new single, "Take It up a Notch" (get it?) and it's available now on Bandcamp.
Known for their sharp pop sensibility and high-energy shows, The Crisps are releasing the single as a taster for an album, “Four On The Floor” in July to coincide with a European tour.
The shows in Germany, Poland and France will be double-headers with the Australian version of Chris Masuak’s Dog Soldier.
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