
A tale of The Stooges and The Velvet Underground in high-fidelity
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- By Steve Lorkin
- Hits: 1740

Fun House (High Fidelity Edition) - Rhino Records (Rhino Records)
Loaded (High Fidelity Edition) - The Velvet Underground (Rhino Records)
Theoretically, an album pressed in 2026 should sound a lot better than an album pressed in the 1970s. I mean, haven't there been vast technological advances in the sound world? Or for that matter, just about anything and everything since the 1970s?
Judging by the majority of LP reissues these days it seems not. Quite often those pre-digital era 1960s/1970s pressings sound a whole lot better than today's "$95 at JBHiFi 180 gram remastered by some genius" reissues.
TV Smith (and the Hard-Ons) deliver Down Under
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- By Robert Brokenmouth
- Hits: 2112
TV Smith's Adverts
The Tote, Collingwood, VIC
Friday 3 April 2026
The Last Chance Rock & Roll Bar, North Melbourne, VIC
Sunday 5 April 2026
Words & Pictures: Robert Brokenmouth
I cannot believe it’s been so long since I’ve seen the Hard Ons. Been in a tunnel for a few years. Never mind.
I sent some rude words to the publicist, Dave Laing, when I found out TV Smith was touring - but (understandably) not to my hometown, Adelaide. I did an interview with TV Smith, and was glad that I’d got a few things right.
Sydney's favourite rock and roll dive bar announces free 9th birthday weekend
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- By The Barman
- Hits: 625

“The Small Bar That Could” and “Sydney’s version of CBGB”. They’re two of the names for MoshPit, the dive bar on King Street in the suburb of St Peters that’s been a spawning ground for countless up and coming bands - and a home for some not so young.
The venue is notching its ninth birthday in May and is holding a three-day event to mark the occasion.
“None of us know which birthday will be our last so we're going all out with bands all weekend - Friday night, all day Saturday, and Sunday arvo,” said mine host Pat Jones (pictured above).
Ex-Trash Brat Troy Toma leaves Detroit and lets his Americana juices flow
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- By JD Misfortune
- Hits: 1230
24 Hours in Detroit - Troy Toma and The Lousy Lovers (Jett Plastic Recordings)
So, my good friends, I hesitate to even commit my thoughts to paper very often nowadays cause I'm just so curmudgeonly and grouchy and pessimistic, I've totally turned into one of those ruined, scarred, and bitter men muttering to himself about the MC5, and wishing all these new kids in their expensive hats would get off my fucking lawn.
I got the oldness; walk with a cane, been having some scary health issues, with gratitude for some narrow escapes, my old friends are dropping like flies, and many of those remaining suddenly look like Uncle Jessie from "Dukes" Of Hazzard".
Ex-Dubrovnik Peter Simpson wants to turn your world; Sabrina Lawrie invites you to dream
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- By The Barman
- Hits: 707
Ex-Dubrovnik Peter Simpson has released another single from his excellent solo album, "Good Times Gone Bad”.
“Turn My World” takes a slight country tack and includes backing vocals from Peter’s Dubrovniks bandmates Boris Sujdovic and Chris Flynn, and his his sons Dom and Vo Simpson.
New Sydney "Indie Sounds" compilation looms, tour dates announced
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- By The Barman
- Hits: 779

The release of Vil-Nil Records’ “Indie Sounds From The Harbour City Volume 2” is imminent, and a tour to support it has been announced.
A stack of Sydney appear on the LP and CD. The roll call is Hard Ons, Van Ruin, The Darrans, Mezcaltones, Nunchukka Superfly, The On and Ons, The Jane Does, Tshitaki, Fowl Weather Vein, Disgraceland, Division 4, Jupiter 5, Pocketwatch, and Little Incursions.
Album pre-sales are open here. Don't be tardy. It will sell out, just like its predecessor.
The accompanying tour is extensive, taking in Sydney, Canberra, Coffs Harbour, the Central West, Wollongong, the Central Coast and the Shoalhaven, as well as a gig in Brisbane. Bands appearing include The Jane Does, Fowl Weather Vein, Jupiter 5, The On and Ons, DISCGRACEland, Owen Guns, Loose Surface and I Hate People.
Sydney's The Jane Does make a name for themselves on debut LP
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- By The Barman
- Hits: 819
The Jane Does – The Jane Does (self released)
It seems hard to find good bands fronted by women no longer aged in their teens in Sydney these days. The reality is that the city’s small roster of rock and roll venues means the sisters (mums? aunts?) aren’t hiding, you just need to look for them at the right time.
Along with The Sugar Beats and Raising Ravens, The Jane Does are the pick of the semi-femme crop (although technically you could say that the former come from Wollongong.)
The Jane Does are Rebecca Halley (vocals and guitar) and Joanne Bennett (bass and vocals) sharing front-of-stage duties with guitarist Matt Allison. Rebecca and Jo are cousins and have shared stages before. They’ve had a series of drummers but Tim Savage now seems firmly sequestered on the stool, barring spontaneous combustion or bizarre gardening accidents.
Asteroids and Cam Butler bring new releases while Ketamine Cowboys are feeling a little dusty
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- By The Barman
- Hits: 693

On the back of their long-awaited return to Australia in June last year Asteroid B-612 (above) are back with another dose of high-octane rock.
Their brand-new single, “Fallen Slow’”, will be released on April 10 via Golden Robot Records and is available to pre-save now on all major streaming platforms.
The re-tooled Asteroids were in Australia to promote their 2025 album “Roads, Stars”, the band found themselves with a rare few hours to spare during rehearsals. Wasting no time, Johnny Casino and Co headed into the studio.
This punk rock purity was Maid for your ears
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- By Steve Lorkin
- Hits: 1099
Maids In Bataan - The Maids (Gutterwall Records)
There is a genre of music that collectors refer to as “Killed By Death” or ” KBD”. The label refers to onscure 1970s or 1980s punk rock records that were usually independently released by the bands themselves in small print runs.
“Killed By Death” was also a series of bootleg compilation albums that illegally reissued these songs (kind of like the “Pebbles” of ‘70s and ‘80s punk).
The Maids’ recordings were first heard by the punk rock collecting masses on volumes 7 and 17 of “Killed By Death” and thanks to these bootleggers, the legend of the band has grown.
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