How best to remember Melbourne graphic Martin Harris who left the world a week ago?

The Barman has asked a few of us to write about our Top Tens this year. Well, like most of us, I didn't go out much, and didn't listen to much either.  However, one thing which has dominated this year is depression and its many variants.

What has this to do with rock and roll?  Plenty. If you don;t agree, you can't have been listening to the greats, Ozzy Osbourne, Johnny Cash, New Order, Amy Winehouse... 

See, I've always thought the impulse to create rawk is only a single manifestation of what I call 'the creative imperative'. This imperative is stronger in some than others, of course. But if you would take the imperative to success on a gigamax scale, you not only need luck, you need determination, hard work AND more luck. 

Queen, for example, were so determined to succeed that before they were gigamax they rehearsed in their stage gear. They worked hard for their success. Ask any musician: songs don't just drop from trees, fully formed. Some folk are stupidly talented, but with most creatives, genius rarely spontaneously happens.

Anyone reading “Get in the Van” gets an idea of how determined Rollins has been to succeed. What do P.G. Wodehouse, W.E. Johns and Dick Francis have in common? They wrote at least a book a year (Johns sometimes churned out three or four per year). But not only did they each have a lot of luck, they all worked damned hard. (Alright, so PG had several flops and weathered two gigantic, very public (and bloody funny) scandals but even so).

_{Joey Pinter, Walter L:ure and Daniel Rey.}

When we were young and skinny and fearless, it was easier to celebrate the ch-cha-cha-changes, than it is now, when so many of our favorite places, people, bands, and way of life are just vanishing a little more each day. I can't keep up with all these changes.

In my head, I'm still a new wave kid with a Walkman. Probably listening to the Cult "Love", on 10, right? Making rehearsal tapes on a boombox in the basement. You could save 20 or 30 dollars, and come home from the big city record store with a new t shirt, some little buttons, a copy of "Flipside" or "Maxiumum Rock And Roll", some Jesus & the Mary Chain and Bauhaus postcards to send to your goth girlfriends in far away cities, a Gene Loves Jezebel or Flesh For Lulu promotional poster the nose-ringed death rocker cashier gave you for free, and a whole stack of winning indie punk $1 vinyl from the cut out bin. Those were different times.

For most of us, there ain't no rock ‘n’ roll no more, just the ludicrous worship of bullshit do nothing politicians, media monopoly lies and propaganda, and cos-play lab-coated scientific astronaut rich people on TV, and/or, always more blandly insufferably mediocre and meaningless mainstream garbage like the Foo Fighters - there's nowhere to go, no more basement shows. No real underground bands or real underground rock press in Amerikkka.

"The idea that 'disinformation' is something that just happened during the last four years is absurd. How did the U.S. public become the most ill-informed, easily manipulated public on the planet if not as a result of systematic 'disinformation' from the rulers? Now these same rulers want to 'regulate' social media speech." - Ajamu Baraka

“Fascism should more appropriately be called Corporatism because it is a merger of state and corporate power.” - Mussolini

Ridiculously, I am suspended from social media, by fascist corporatists for posting this quote. How Zucked-up is that? I've been Zucked. You could be next.

All the left media sites are being censored, demonetized, or taken down, by corporatist Zuck-bots, and the gentrification shitlibs accept this, casually and completely, because their pyramid-scheme higher-up superiors have told them that censorship is okey-dokey, because social media is privately owned, and therefore, tech-lord billionaires have the right to censor any facts, opinions, quotes, or evidence that contradicts their corporatist agenda. More worryingly, attractive and beloved celebrity figureheads have, once again, been recruited to promote monopoly tech-lord control of information flow, by telling their followers to rat on any voices online that question or contradict official narratives, as spreading mis-information. This is exactly the cultish Blue MAGA equivalent of crazy Trump yelling "fake news".

DONAT TAHIRAJ
Owner of Phase 4 Records and Cassettes store and the LCMR Records label
Brisbane, Queensland, Australia 

There’s no need to explain what a slightly weird year 2020 was. Sadly and for my back pocket’s sake, Phase 4 Records had to close for most of Autumn which meant I wasn’t as often held captive by some stinky guy banging on about the greatness of some rockist act they read about in "The Wire" at the top of their voice scaring our innocent customers away while I desperately needed to go to the toilet.

Our record label LCMR managed to squeeze out only three 7” EPs for the year – one by a hopelessly obscure Toowoomba punk group, Brian, and two by Xiro, the Brisbane band of the early post-punk era who should’ve gone on to have a great international career but decided not to for the sake of art; or something.

It was a great pleasure putting them all together for those who were all too familiar and the ones who were brave enough to try some music that was completely unknown to them.

GENERAL LABOR
Gonzo journalist and onetime rock star
Somewhere in the USA

10.) Binge watching old bands I love on YouTube, live concerts, etc.
Particularly Cheap Trick, Redd Kross, the Divinyls, Rose Tattoo, Beasts Of Bourbon, Sensational Alex Harvey Band, Smack, Tex & The Horseheads, Little Kings, Viletones, Chris Isaak, 39 Steps, Bounty Hunters, Jacobites etc. And The Fleshtones - greatest live band I ever saw have lots of great stuff to watch on YouTube, Kings of Rock ‘n’ Roll!

9.) Carry It Forward
The most revolutionary, serve the people, activist organization I've ever seen in real life provides coats, hats, gloves, sleeping bags, tents, rides, hotel rooms, wheelchairs, etc to the real people in the community that the government does not care about. Millions of people in the USA USA are becoming homeless and evicted while the get rich politicians drink champagne with their warpig donors. Almost like they wanna kill the poor. BE LIKE CARRY IT FORWARD, wherever you are!

8.) Slade is the right answer to almost any question!

7.) Remembering how Real Friends are precious
Especially in these dark clampdown death plague winters when so many groovy people like Dave Kusworth, Eddie Van Halen, Mike Mindless, Mike Doman, Clay Anthony have passed on.

CELIA CURTIS
Vocalist for White Knuckle Fever and Stone Cold Fox
Sydney, NSW, Australia

Celia Curtis’s Top 20 of 2020!

GIGS

The gigging landscape undulated wildly in 2020 but it was by no means barren. The absence of the annual stagger to (and from) River Rocks Festival in Geelong definitely stung a bit, but there were some corker live gigs and streams in 2020. Here are some of my favourites I was lucky to attend/ play:

1.    Jan 4 2020, PUNKNATS, The Old Canberra Inn
Due to raging fires and road closures, Crapulous Geegaw, Tweekers and Grim couldn’t make it. But you just can’t stop the rock. Lucifungus, Oaf, the Dirty Sluts, Minor Surgery, rooted, Hymn, Herxhaim, DuShkanu, White Knuckle Fever and (my personal faves) Thee Cha Cha Chas all went hard.

It was 44 degrees Celsius in a tin shed. Literally the worst air quality in the world. A late southerly that brought out the p2 masks and a blanket of apocalyptic Orange smoke. But fuck it was a great day. Milly, Tilly and Outtaspace Presents did a top job organising once again and The Old Canberra Inn was as hospitable as ever.

DERRICK OGRODNY
Heavy Medication Records honcho
Warsaw, Poland

To be honest, 2020 wasn’t too big of a train wreck for me. I generally work remotely, so there was no adjustment to the joys and pitfalls of working from home. Even though live concerts were few and far between, I still managed to catch a few great ones before the gates closed. (Poison Heart’s Ten-Year Anniversary gig and an aurally hallucinogenic set by Brazil’s Rakta come to mind.)

Alas, some long-anticipated plans got scrapped (some well-paying DJ gigs, a Heavy Medication Label Fest with Puffball and Hell Nation Army in Berlin, travelling somewhere to catch Pat Todd & the Rankoutsiders on their European tour), but new plans rose out of the ashes of the fallen ones to make the best out of a bad situation. But more on that later…

Here are some things I dug in 2020:

1.) Smalltown Tigers “Five Things” mini-album (Area Pirata Records)
Loud guitars, catchy tunes and simplicity have always worked in punk rock’s favor, and these three Italian chicas (sorry, regazze) follow this recipe while mixing in their own sonic special sauce through the eight songs on this tasty debut platter. The Ramones and Runaways are obvious reference points (especially Valli’s gritty Joan Jett growl), but these Tigers manage to sound both ferocious and sweet at the same time. The no-frills execution and earworm-quality of the songs kept me playing this mini-LP on endless repeat. Listen up here.

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By Penny Ikinger

Penny Ikinger

09 January 2021

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